ROBERTS, G., 2024. "Border Hypotheses: Speculations on Territory and Sovereignty in Wayde Compton’s The Outer Harbour". In: ORR, J. and STIRRUP, D., eds., Canada-US Border Theory Edinburgh University Press. 174-194
ROBERTS, G., 2024. "Visualizing the Canada-US Border: Comic Adaptations of Wayde Compton’s 'The Blue Road' and Thomas King’s 'Borders'" Studies in Canadian Literature. (In Press.)
ROBERTS, G., 2023. “Indigenizing the Archive: Souvenir and the NFB". In: CARRUTHERS, L. and TEPPERMAN, C., eds., Canadian Cinema in the New Millennium McGill-Queen's University Press. 203-216
ROBERTS, G., 2020. CanLit and Canadian Literature: A Long-Distance View Canadian Literature. 239, 20-25
ROBERTS, G., 2018. Cross-border Film Adaptation and Life of Pi. In: GILLIAN ROBERTS, ed., Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel McGill-Queen's University Press.
ROBERTS, G., 2018. Introduction—Cultural Production and Consumption across the 49th Parallel: Negotiating Material Citizenship. In: GILLIAN ROBERTS, ed., Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel McGill-Queen's University Press.
ROBERTS, G., ed., 2018. Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel McGill-Queen's University Press.
ROBERTS, G., 2015. Discrepant Parallels: Cultural Implications of the Canada-US Border McGill-Queen's University Press.
ROBERTS, G., 2015. Discrepant Traumas: Colonial Legacies in Jindabyne. In: ABIGAIL WARD, ed., Postcolonial Traumas: Memory, Narrative, Resistance Palgrave. 159-72
ROBERTS, G. and STIRRUP, D., eds., 2013. Parallel Encounters: Culture at the Canada-US Border Wilfrid Laurier University Press.
ROBERTS, G., 2013. Strategic Parallels: Invoking the Border in Thomas King's Green Grass, Running Water and Drew Hayden Taylor's In a World Created by a Drunken God. In: ROBERTS, G. and STIRRUP, D., eds., Parallel Encounters: Culture at the Canada-US Border Wilfrid Laurier University Press. 127-143
ROBERTS, G. and STIRRUP, D., 2013. Introduction—Culture at the 49th Parallel: Nationalism, Indigeneity, and the Hemispheric. In: ROBERTS, G. and STIRRUP, D., eds., Parallel Encounters: Culture at the Canada-US Border Wilfrid Laurier University Press. 1-24
BATES, C., ROBERTS, G. and TOLAN, F., 2013. Introduction British Journal of Canadian Studies. 26(2), 165-171 BATES, C., ROBERTS, G. and TOLAN, F., EDS, 2013. Canadian Literary Study in the Twenty-First Century: Special issue of British Journal of Canadian Studies 26 (2).
ROBERTS, G., 2011. Prizing literature: the celebration and circulation of national culture University of Toronto Press.
ROBERTS, G. and STIRRUP, D., eds., 2010. Culture and the Canada-US Border: Special Issue of American Review of American Studies 40(2).
ROBERTS, G., 2010. 'The Reading Lesson Revisited: Educating the English Patient' MOVING WORLDS: A JOURNAL OF TRANSCULTURAL WRITINGS. 10(2), 68-78
ROBERTS, G. and STIRRUP, D., 2010. Introduction to the ARCS Special Issue on Culture and the Canada-US Border AMERICAN REVIEW OF CANADIAN STUDIES. 40(2), 321-325 ROBERTS, G., 2008. Return of the prodigal: hospitality and Michael Ondaatje's Running in the Family'. In: CARRIÈRE, M. and KHORDOC, C., eds., Migrance comparée : les littératures du Canada et du Québec = Comparing migration : the literatures of Canada and Québec Peter Lang.
ROBERTS, G., 2008. "The greatest hotel on earth": citizenship, nationality, and the circulation of Canadian literature West Coast Line: A Journal of Contemporary Writing and Criticism. 42(3), 146-160
ROBERTS, G., 2007. 'Ethics and Healing: Hospital/ity and Anil's Ghost' UNIVERSITY OF TORONTO QUARTERLY. VOL 76(NUMB 3), 962-976 ROBERTS, G., 2006. 'Sameness and Difference: Border Crossings in The Stone Diaries and Larry's Party' CANADIAN LITERATURE. NUMB 191, 86-102
ROBERTS, G., 2003. 'Circulations of Taste: Titanic, the Oscars, and the Middlebrow'. In: STRINGER, JULIAN, ed., Movie Blockbusters Routledge. 155-166
ROBERTS, G., 2002. '"Sins of Omission": The English Patient, THE ENGLISH PATIENT, and the Critics' ESSAYS ON CANADIAN WRITING. ISSU 76, 195-215
ROBERTS, G., 2000. 'Spectacle Matters: Titanic, The Sweet Hereafter, and the Academy and Genie Awards' CANADIAN REVIEW OF AMERICAN STUDIES. VOL 30(PART 3), 317-338