JEAN ANDREWS, 2020. Painting and Devotion in Golden Age Iberia: Luis de Morales University of Wales Press.
JEAN ANDREWS and JEREMY ROE, eds., 2020. Representing Women’s Political Identity in the Early Modern Iberian World Routledge.
JEAN ANDREWS, 2020. 'Josefa de Ayala e Cabreira’s St Catherine Altarpiece and Female Empowerment’. In: JEAN ANDREWS and JEREMY ROE, eds., Representing Women’s Political Identity in the Early Modern Iberian World Routledge. 105-124
JEAN ANDREWS, JEREMY ROE and OLIVER NOBLE WOOD, eds., 2016. On Art and Painting: Vicente Carducho and Baroque Spain University of Wales Press.
JEAN ANDREWS, 2016. Carducho's Late Holy Families and Decorum. In: JEAN ANDREWS, JEREMY ROE and OLIVER NOBLE WOOD, eds., On Art and Painting: Vicente Carducho and Baroque Spain University of Wales Press. 183-204
JEAN ANDREWS and LAURA BASS, 2016. ‘Me juzgo por natural de Madrid’: Vincencio Carducho, Theorist and Painter of Spain's Court Capital: Contemplation of the Crucified Christ Bulletin of Spanish Studies. 93(7-8: Imaginary Matters Realising the Imagination in Early Modern Iberian Culture), 1301-1337 JEAN ANDREWS, 2016. Poetry and Silence in Post-Civil War Spain: Carmen Conde, Lucia Sanchez Saornil and Pilar de Valderrama. In: MANUEL BRAGANCA and PETER TAME, eds., The Long Aftermath:: Cultural Legacies of Europe at War 1936-2016 Berghahn Books. 40-59
JEAN ANDREWS, 2015. Josefa em Óbidos: Mistress of the Cascais Santa Teresa Series. In: ADRIENNE L MARTIN, ed., Perspectives on Early Modern Women in Iberia and the Americas:: Studies in Law, Society, Art and Literature in Honor of Anne J. Cruz Escribana Books.
JEAN ANDREWS, 2014. Teresa Berganza's Reappropriation of Carmen Journal of Romance Studies. 14(1), 19-39
ANDREWS, J., 2013. Carlos de Sigüenza y Góngora's depiction of the Aztec emperors for the viceregal entry into Mexico City of 1680. In: CANOVA-GREEN, M-C., ANDREWS, J. and WAGNER, M.-F., eds., Writing royal entries in early modern Europe Brepols.
ANDREWS, J., 2013. Francisco de Goya y Lucientes: portraiture and kingship 1810-1814. In: ROBERTS, S.G.H. and SHARMAN, A., eds., 1812 echoes: the Cadiz Constitution in Hispanic history, culture and politics Cambridge Scholars Publishing. 164-177
2013. While the Men Are Dying: By Carmen Conde Arima.
ANDREWS, J., 2013. St. Joseph as loving father in seventeenth-century Hispanic devotional painting: Josefa de Óbidos and Diego Quispe Tito. In: MARTEN, M. and NEUMANN, K., eds., Saints and cultural trans-/mission Academia Verlag Sankt Augustin. 143-157
ANDREWS, J., 2010. Luis de Morales's Representations of St Jerome. In: TAYLOR, B. and COROLEU, A., eds., Humanism and Christian letters in early modern Iberia (1480-1630) Cambridge Scholars Press. 185-201
JEAN ANDREWS, 2009. Carmen Conde and the Consequences of War. In: ALISON RIBEIRO DE MENEZES, ANNE WALSH AND ROBERTA QUANCE, ed., War, Violence and the Culture of Memory in Contemporary Spain Verbum.
JEAN ANDREWS, 2009. '"Los evadidos de la realidad": Los ultimos poemas de Gustavo Adolfo Becquer y Juan Ramon Jimenez'. In: JEAN ANDREWS Y STEPHEN G.H. ROBERTS, ed., Obra en marcha: ensayos en honor de Richard Cardwell CCC Press. 112-127
JEAN ANDREWS Y STEPHEN G.H. ROBERTS, ed., 2009. Obra en marcha: ensayos en honor de Richard Cardwell CCC Press.
ANDREWS, J., ed., 2009. Edition with introduction, critical analysis, notes and vocabulary of Carmen Conde's Mientras los hombres mueren. Mientras los hombres mueren Hispanic texts Manchester University Press.
JEAN ANDREWS, 2008. 'Mientras los hombres mueren de Carmen Conde: testimonio poetico de la Guerra Civil'. In: PILAR NIEVA DE LA PAZ, FRANCISCA VILCHES DE FRUTOS, SARAH WRIGHT, CATHERINE DAVIES, ed., La mujer y la esfera publica 1900-1939. Society of Spanish and Spanish American Studies. 123-135 (In Press.)
ANDREWS, J., 2007. Meyerbeer's L'Africaine: French grand opera and the Iberian exotic The Modern Language Review. 102(1), 108-124
ANDREWS, J., 2007. Opera on the margins in colonial Latin America: conceived under the sign of love. In: TORRES, I., ed., Rewriting classical mythology in the Hispanic baroque Woodbridge: Tamesis. 171-187
ANDREWS, J. and COROLEU, A., eds., 2007. Mexico 1680: cultural and intellectual life in the 'Barroco de Indias' Bristol: HiPLAM.
JEAN ANDREWS, 2007. A traducao na negociaciao do conflicto historico: sul via norte, o irlandes a traves do ingles Ipotesi. II, 1, 71-82
JEAN ANDREWS, 2007. Triumphal Arches in Colonial Mexico in 1680: Giving Voice to the Margins. In: MAGDA VELLOSO FERNANDEZ DE TOLENTINO, ed., Nacao e Identidade: Ensaios em LIteratura e Critica Cultural UFMJ. 193-212
ANDREWS, J., 2007. The Negotiation of Mexican Identity in 1680: Sor Juana Ines de la Cruz' Neptuno alegorico and Carlos de Siguenza y Gongora's Theatro de las virtudes politicas. In: ANDREWS, J. and COROLEU, A., eds., Mexico 1680: Cultural and Intellectual Life in the Barroco de Indias HiPLAM. 23-44 (In Press.)
MOREJON, N. (TRANS. BY ANDREWS, J.), 2006. Black woman and other poems = mujer negra y otros poemas London: Mango Publishing.
ANDREWS, J., 2006. Translating Nancy. In: INGLILLERI, M., ed., Swinging Her Breasts at History London : Mango Publishing.
ANDREWS, J., 2005. Painting and Prohibition in the Viceroyalty of Peru: The Blessed Trinity In: Antes y despues del Quixote en el cincuentenario de la AHGBI.
ANDREWS, J., 2004. Translations of Sor Juana Ines de la Cruz, Neptuno alegorico/The Alegorical Neptune; extract from Diego Esquivel y Navia, Noticias cronologicas de la gran ciudad del Cuzco/The Earthquake at Cuzco, 1650. In: MULRYNE, J.R., WATANABE-O'KELLY, H. and SHEWRING, M., eds., Europa Triumphans: Court and Civic Festivals in Early Modern Europe: The New World: 17th-century festivals in the viceroyalties of Mexico and Peru Vol II. Aldershot : Ashgate. 364-428
ANDREWS, J., 2004. Introduction. In: MULRYNE, J.R., WATANABE-O'KELLY, H. and SHEWRING, M., eds., Europa Triumphans: Court and Civic Festivals in Early Modern Europe, Vol II. The Viceroyalties of Mexico and Peru. II. Aldershot : Ashgate. 347-9