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A Nottingham Institute for Research in Visual Culture and Centre for Advanced Studies symposium
Throughout the relatively short history of the art museum, metaphorical constructs have often been used to elucidate the museum’s social and cultural role, as well as to define its various protagonists. Through the metaphorical language of the museum as, for example, temple (Duncan), tomb (Adorno), laboratory (Barr), or supermarket (Warhol), artists, curators, critics, philosophers and historians have sought to read the institution of the museum as symbolic of particular cultural and social ideologies.
Against the backdrop of a growing current interest in institutional and exhibition histories, this symposium will consider the many metaphors that have been used to describe, define and theorise museums, as well as the ways in which changes in the metaphorical language of the museum might indicate broader discursive shifts. In addition, it will ask what metaphorical constructs shape our conception of museums today.
Keynote speakers:
Highfield HouseUniversity Park Nottingham, NG7 2RD
email: CAS-enquiries@nottingham.ac.uk