This new article co-authored by Professor Kathleen Pithouse-Morgan has been published in Studying Teacher Education.
We are teacher educators and methodological innovators who have been practicing and facilitating co-creativity (collaborative creativity) for ourselves and for others through poetic self-study. This article examines our professional learning as editors of a journal special issue on poetic self-study scholarship. Our study was built on the conceptual foundation of polyvocal poetic play using the self-study virtual bricolage method and the layering of co-creative data and data analysis. The multidimensional data set and analysis comprised solicited feedback poems from the special issue contributors, our individual found poems developed from the contributors’ poems, a tapestry poem, and our dialogue from a recorded, transcribed online video meeting. In considering the professional impetus and impact of our work as editors, we asked, ‘What difference did editing a special issue make to our understanding of promoting methodological creativity and innovations through poetic self-study? How did poetic feedback from the contributors inform our understanding?’ We discovered four central features of our learning through several data generation and analysis phases: plurality, methodological and epistemological inventiveness, academic – personal intersections, and relational scaffolding. This set of features contributes to the body of knowledge on supporting methodological creativity and innovations in self-study and qualitative research. Editors, reviewers, and authors may find our study’s explanations, examples, and findings useful in their efforts to promote transformative and innovative research.
Please visit the publisher's website for more information.
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