African Cinemas: Decolonizing the Gaze by Olivier Barlet
A review by Martin Stollery
An Argentine Passion: Maria Luisa Bemberg and her Films edited by John King, Sheila Whitaker and Rosa Bosch
A review by Bernard McGuirk
The Anatomy of Film (Third Edition) by Bernard F. Dick
A review by Bob Rehak
Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation by Susan J. Napier
A review by Jay McRoy
The Bare Facts Video Guide by Craig Hosoda
A review by Rebecca D. Feasey
Blockbuster TV: Must-See Sitcoms in the Network Era by Janet Staiger
A review by Brett Mills
Britain and the American Cinema by Tom Ryall
A review by Sarah Street
Celluloid Indians by Jacqueline Kilpatrick
A review by Ragan Rhyne
Close Up: Iranian Cinema Past, Present and Future by Hamid Dabashi
A review by Lina Khatib
The Cognitive Semiotics of Film by Warren Buckland
A review by Tico Romao
The Documentary Film Movement: An Anthology edited by Ian Aitken
A review by John W. Campbell
Fan Cultures by Matt Hills
A Review by Lincoln Geraghty
edited by K. J. Donnelly
A review by Annette Davison
Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music by Anahid Kassabian
A Review by David Sanjek
Hollywood Spectatorship: Changing Perceptions of Cinema Audiences edited by Melvyn Stokes and Richard Maltby
A review by Stephen Harper
How to Read a Film: The World of Movies, Media, and Multimedia: language, History, Theory (Third edition) by James Monaco
A review by Stacy Gillis
Impossible Bodies: Femininity and Masculinity at the Movies by Chris Holmlund
A review by Rebecca Janicker
Korean Broadcasting Institute Report 2001 by Korean Broadcasting Institute
A review by Jeongmee Kim
Keyframes: Popular Cinema and Cultural Studies edited by Matthew Tinkcom and Amy Villarejo
A review by David Inglis
The Movies as History: Visions of the Twentieth Century edited by David W. Ellwood
A review by Lincoln Geraghty
New Documentary: A Critical Introduction by Stella Bruzzi
A review by Heather Nunn
New Patterns in Global Television: Peripheral Vision edited by John Sinclair, Elizabeth Jacka & Stuart Cunningham
A review by Ragan Rhyne
The Oxford Companion to Australian Film edited by Brian McFarlane, Geodd Mayer & Ina Bertrand
A review by Julia Hammett-Jamart
Picturing Culture: Explorations of Film and Anthropology by Jay Ruby
A review by David Murray
Political Film: The Dialectics of Third Cinema by Mike Wayne
A review by Martin Stollery
Post-War Cinema and Modernity: A Film Reader edited by John Orr and Olga Taxidou
A review by Richard Armstrong
Reading Hollywood: Spaces and Meanings in American Film by Deborah Thomas
A review by Sarah Heaton
Retrovisions: Reinventing the Past in Film and Fiction edited by Deborah Cartmell, I.Q. Hunter & Imedla Whelehan
A review by Lincoln Geraghty
Scriptwriting for the Screen by Charlie Moritz
A Poetics for Screenwriters by Lance Lee
A review by Cynthia Baron
A Skin for Dancing In: Possession, Witchcraft and Voodoo in Film by Tanya Krzywinska
A review by Brigid Cherry
Spectacular Narratives: Hollywood in the Age of the Blockbuster by Geoff King
A review by Marlon Kuzmick
Technology and the Logic of American Racism: A Cultural History of the Body as Evidence by Sarah E. Chinn
A review by Richard H. King
Television: An International History edited by Anthony Smith and Richard Paterson
A review by Michael Curtin
Understanding Disney by Janet Wasko
A review by Paul Grainge
Writing for Radio by Vincent McInerney
A review by Martin Shingler
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All film reviews
After the Rain (dir. Takashi Koizumi, 1999)
A review by Shulamit Almog
Animal Farm (dir. John Stephenson, 1999)
A review by Chris Wiley
Bend it Like Beckham (dir. Gurinder Chadha, 2002)
A review by Debnita Chakravarti
Gebürtig (dir. Lukas Stepanik and Robert Schindel, 2002)
A review by Eva Kuttenberg
The Lawless Heart (dir. Tom Hunsinger and Neil Hunter, 2001)
A review by Lisa Rull
Monsters Inc. (dir Peter Docter, David Silverman & Lee Unkrich, 2001)
Ice Age (dir. Chris Wedge & Carlos Saldanha, 2002)
A review by Rebecca Farley
Resident Evil (dir. Paul Anderson, 2002)
A review by Bob Rehak
Storytelling (dir. Todd Solondz, 2001)
A review by William DeGenaro
Sweet Sweetback's Baad Assss Song (dir. Melvin Van Peebles, 1971)
A review by Dennis Chester
Company Man (dir. Peter Askin and Douglas McGrath, 2000)
A review by Valerie Holliday
The Importance of Being Earnest (dir. Oliver Parker, 2002)
A review by Irene Morra
Threads (BBC, 1984)
A review by Paul Binnion
The 49th Sydney Film Festival (2002)
A review by Maria San Filippo
Videodrome (dir David Cronenberg, 1983)
A review by Polona Petek
Windtalkers (dir. John Woo, 2002)
A review by Elizabeth Abele