November 2004
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All book reviews
David Ehrlich: Citizen of the World by Olivier Cotte
A review by Ian Elliot
Experimental Cinema in the Digital Age by Malcolm Le Grice
A review by Ernest Mathijs
Movie Wars: How Hollywood and the Media Limit What Films We Can See by Jonathan Rosenbaum
A review by Nick Heffernan
Paris Hollywood: Writings on Film by Peter Wollen
A review by Patricia Allmer
Polish National Cinema by Marek Haltof
A review by Michael Stevenson
The American Horror Film: An Introduction by Reynold Humphries
A review by Alex Naylor
The Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film by Angelo Restivo
A review by Anthony Siu
The End of Cinema As We Know It: American Film in the Nineties edited by Jon Lewis
A review by Elizabeth Rosen
The European Cinema Reader edited by Catherine Fowler
A review by Eugenie Brinkema
The German Cinema Book edited by Tim Bergfelder, Erica Carter, and Deniz Göktürk
A review by Robert D. Levy
The Matter of Images: Essays on Representation (second edition) by Richard Dyer
Now You See It: Studies on Lesbian and Gay Film (second edition) by Richard Dyer
A review by Harry M. Benshoff
The New Iranian Cinema: Politics, Representation and Identity edited by Richard Tapper
A review by Farhang Erfani
The Silence of the Lambs by Yvonne Tasker
A review by Daniel Smith-Rowsey
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All film reviews
The Adventures of Antoine Doinel (dir. Francois Truffaut, 1959, 1962, 1968, 1970, 1979)
A review by Richard Harrison
Auto Focus (dir. Paul Schrader, 2002)
A review by Jason Woloski
Buffalo Soldiers (dir. Gregor Jordan, 2001)
A review by Ross Thompson
The Dancer Upstairs (dir. John Malkovich, 2002)
A review by Erika Hernandez
Finding Nemo (dir. Andrew Stanton and Lee Unkrich, 2003)
A review by Alice Mills
Kill Bill: Vol. 1 (dir. Quentin Tarantino, 2003)
A review by Brian Gibson
Once Upon a Time in Mexico (dir. Robert Rodriguez, 2003)
A review by Reni Celeste
Pirates of the Caribbean: The Curse of the Black Pearl (dir. Gore Verbinski, 2003)
A review by Rayna Denison
Punch-Drunk Love (dir. Paul Thomas Anderson, 2002)
A review by Steve Woollock
Touching the Void (dir. Kevin Macdonald, 2001)
A review by Jenna Pei-Suin Ng
Communications in Wales After the Communications Act — A report by Jiska Engelbert
Mutation and Mutability: Encounters with Change — A report by Catherine Anne Davies
Negotiating Fictions: Contemporary Cultures — A report by Emily Munro
Quality American TV: An International Conference — A report by Geoff Lealand
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