More Dirty Looks: Gender,
Pornography and Power 2nd Edition edited by Pamela Church Gibson
New Punk Cinema edited by
Nicholas Rombes
A review by Iain Robert Smith
Cinema and the Sandinistas:
Filmmaking in Revolutionary Nicaragua by Jonathon Buchsbaum
A review by Sarah Barrow
The Cinema of Gosho Heinosuke:
Laughter through Tears by Arthur Nolletti, Jr.
A review by Brian Ruh
The Contemporary Television
Series edited by Michael Hammond and Lucy Mazdon
Popular Television Drama: Critical
Perspectives edited by Jonathan Bignell and Stephen Lacey
A review by Thorsten Carstensen
Media Reception Studies by
Janet Staiger
A review by Mike Chopra-Gant
The Politics of James Bond: From
Fleming's Novels to the Big Screen by Jeremy Black
A review by James Chapman
Hollywood Divas, Indie Queens,
& TV Heroines: Contemporary Screen Images of Women by Susanne Kord and
Elisabeth Krimmer
A review by Hannah Hamad
Hitchcock's Cryptonymies: Volume
I. Secret Agents by Tom Cohen
Hitchcock's Cryptonymies: Volume
II. War Machines by Tom Cohen
A review by Mary Valentis
Watching Daytime Soap Operas: The
Power of Pleasure by Louise Spence
A review by Janice Kelly
EcoMedia by Sean Cubitt
A review by Holly Rogers
Nikita Mikhalkov: Between
Nostalgia and Nationalism by Birgit Beumers
Alexander Medvedkin by Emma
Widdis
Dmitri Shostakovich: A Life in Film by John Riley
Kira Muratova by Jane A. Taubman
A review by Lars Kristensen
Genre and Television: From Cop
Shows to Cartoons in American Culture by Jason Mittell
Serial Television: Big Drama on
the Small Screen by Glen Creeber
Alan Clarke: The Television
Series by Dave Rollinson
A review by Sarah Godfrey
The Past Within Us: Media,
Memory, History by Tessa Morris-Suzuki
A review by Amresh Sinha
Screening the Gothic by Lisa
Hopkins
Icons of Grief: Val Lewton's Home
Front Pictures by Alexander Nemerov
Horror Film & Psychoanalysis:
Freud's Worst Nightmare edited by Steven Jay Schneider
A review by Martin Fradley
High Comedy and American Movies:
Class and Humor from the 1920s to the Present by Steve Vineberg
A review by James Russell