Table of Contents
Introduction — Nandana Bose and Lee Grieveson
Part I: The Archive and the Nation
Amateur Film and the Interwar English Countryside — Michael McCluskey
Critical Reflections on Film as a Historical Source: A Case of the Military Regime in Brazil — Nina Schneider
Part II: The Ephemerality and Textuality of the Archives
Audiences from the Film Archive: Women’s Writing and Silent Cinema — Lisa Stead
Archival Realities and Contagious Spaces: Shop Girls, Censorship and the City in Damaged Goods — Heida Johannsdottir
Part III: The Televisual and Digital Archive
Reading Political Comedy: Yes, Minister and Discursive Contexts — Matt Crowder
The Representation by French Television of Building Construction Work in and Around Paris During the 1960s — Jacob Paskins
Archives and Prefigurative Practices: Digital Games Walkthough Archives as Record and Resource — Daniel Ashton