English and Philosophy BA

The aim of this module is to provide you with an opportunity to write an 8,000-word dissertation on a philosophical topic, the precise subject of which is by agreement with the supervisor. At the completion of the module, you will have had an opportunity to work independently, though with the advice of a supervisor. 

This module will teach you how to communicate philosophy through a variety of different mediums, assessing them in each. We will look at how philosophy can be communicated through legal documentation, press releases, handouts, lesson plans, webpages, funding bids and posters (with optional presentations).

A number of the sessions will be delivered by professionals from outside the university, with support from the module convener. Seminars will be used to develop each of the items for assessment. You will be invited to draw upon your prior philosophical learning to generate your assessments, except in the case of handout where you will be set a specific philosophical task and asked to complete some (very basic) independent research.

Karl Marx's thoughts and words have had an enormous impact on history. Revolutions have been fought, economic policies pursued and artistic movements established by followers (and opponents) of Marxism.

Together we'll examine some of Mark's original writing and explore his thinking. Specific themes we'll cover include:

• alienation
• the materialist conception of history
• ideology
• the labour theory of value

By the end of the module you should have a good overview of Marx's attempt to synthesise German philosophy, French political theory, and British economics.

This module is worth 20 credits.

In this module we'll ask questions like:

• How should human beings interact with the non-human natural world?
• Is nature intrinsically valuable, or does it possess value only by being valuable to us?

As part of this we'll cover topics such as:

• the moral status of animals
• the ethics of zoos
• responsibility for climate change
• whether there is any connection between the twin oppressions of women and nature
• the environmental impact of having children
• the ethics of restoring nature after it has been damaged by human development

This module is worth 20 credits.

This module investigates different kinds of contemporary logic, as well as their uses in philosophy. We will investigate the syntax and semantics of various logics, including first order logic, modal logics, and three-valued logics, as well as ways to apply formal techniques from these logics to philosophical topics such as possibility and necessity, vagueness, and the Liar paradox.

We’ll cover ways to reason and construct proofs using the logics we study, and also ways to reason about them. We’ll look at proofs regarding the limits of formal logic, including proofs of soundness, completeness, and decidability.

Illness, ageing, death and dying are universal experiences. Yet discussion about them often only happens in times of emotional distress.

Together we'll explore philosophical issues related to human mortality in an open, supportive and compassionate way.

As well as a deeper understanding of the issues you will also build capacity to think sensitively and humanely about the human experience of ageing, illness, and dying.

Typical topics might include:

• experiences of being chronically ill
• psychiatry and mental health
• the oppression of ill persons · illness narratives
• the moral and spiritual significance of illness
• the experience of dying
• empathy, grief, and mourning
• death and the meaning of life
• the significance of human mortality to wider philosophical issues and concerns

This module is worth 20 credits.

Much of our life is filled with compulsory work but when free of obligation, when at leisure, we play in many different ways. We voluntarily chose to engage with the arbitrary rules and restrictions of games. We roll dice and push the pieces round a board. We twiddle thumbs and shoot fictional computer game zombies. We get involved in organised physical activities, sports such as football or athletics. We seek to escape our everyday lives by hiking up mountains in the wild, or by drinking and dancing in nightclubs. We may play with others, seeking friendship, intimacy or sex. We may relax alone, reading literature or practising art. We may mix these different activities together. 

Politics and truth have always had a complicated relationship. Lies, bullshit, spin, and propaganda are nothing new.

Polarization is on the rise in many democracies and political disagreements have spread to disputes about obvious matters of fact.

But have we really entered the era of 'post-truth' politics? Is debate now framed largely by appeals to emotion disconnected from the facts?

In this module, we'll explore questions such as:

• Should the existence of widespread disagreement in politics make us less confident in our own views?
• Are voters morally or epistemically obligated to vote responsibly?
• Is it rational for citizens to base their political views on group identity rather than reasoned arguments?
• Should we have beliefs about complex policy questions about which we are not experts?
• Is democracy the best form of government for getting at the truth?

This module is worth 20 credits.

In society we do things with words. We can use language to lie, to praise, to convince, and to insult. This course will consider the ethical and political ramifications of speech and language. We will use methods from the philosophy of language to investigate these issues.

Representative topics include how we should define and use certain terms (For example: 'sex', 'gender', 'woman', 'disability', 'race', 'class', 'queer'), accounts of what it is to lie, accounts of the social effects of language (for example: slurs, dogwhistles and propaganda), how terms can be “claimed”, the harms of speech and how to balance those with the right to speech, silencing, epistemic injustice. 

This module will focus on a critical examination of core aspects of Buddhist thinking, with emphasis on some of its basic psychological, spiritual, and metaphysical conceptions.

These include, in particular: the origin and nature of suffering; the no-self thesis; enlightenment; consciousness; experiential knowing; and the doctrine of Emptiness (the lack of inherent nature in all things and impermanence).

This module brings together philosophical, historical and sociological approaches to Buddhism. Students will learn about Buddhism as a philosophical and religious tradition – or set of traditions – with particular attention to the relation of Buddhist doctrines and teachings to the contemporary world. They will also learn about Buddhism as a living community, with particular attention to Buddhist life and practice. 

This module will consider mind, psychology, and mental health from a philosophical angle. The module will cover a range of exciting and fundamental topics in the philosophy of mind and psychology (chosen from topics such as, the social mind, animal minds, the nature of consciousness, the mind-body problem, the emotions, imagination, pain, will and action, belief, perception, mind as machine, and artificial intelligence - selected topics will vary from year to year).

We will always ask how these relate to mental health. But the module will also have a more specific focus on mental health as we will take the tools of philosophy of mind and psychology to mental health: we will consider how philosophy of mind and psychology can help us better understand mental health, but also how reflection on mental health can impact work in philosophy of mind and psychology. So the module will also cover content chosen from topics and areas such as the nature of mental health (and mental illness), delusion, thought-insertion, therapy, self-deception and the philosophy of specific mental disorders (for example, addiction, schizophrenia, depression) - specific topics varying from year to year.

So, in sum the module will combine focus on specific topics in philosophy of mind and psychology (with a mental health angle), and specific topics in philosophy of mental health (with a philosophy of mind and psychology angle).

This module is worth 20 credits.

What are the proper concerns of an egalitarian society? If we’re concerned about equality, what kind of world should we be working towards? What does it mean to treat one another as equals? Should we treat each other that way? If so, why? And what are the political implications of such obligations? 

In this module we will be exploring these and other questions at the heart of the egalitarian project. Subjects will include equality of condition, relational equality, moral equality and political equality. We will also touch on issues around welfare, luck, rights, dignity, status and democracy. Writers covered may include Dworkin, Sen, Parfit, Anderson, Kant, Rousseau, Scanlon, Christiano and Rawls.

This module covers questions such as:

• What is artificial intelligence (AI)?
• Can artificial intelligence be creative?
• Can artificial intelligence understand, think or have phenomenal consciousness?
• What would a paradigm shift in the way we understand intelligence and artificial intelligence look like?
• What are the ethical constraints on the research and methods of artificial intelligence?
• What are the dangers associated with the wider use of AI in human society?
• Who is responsible for actions/decisions taking by AI systems or algorithms'', 'How should we interact with AI systems?

This module is about the ideal of authenticity, roughly: The ideal of being true to oneself. 

We will be asking questions like:

• what authenticity is
• what it requires of us
• why it matters
• whether being moved by it need be narcissistic
• what its connection is with other philosophically interesting concepts like free will, autonomy, morality, and self-creation.

We will explore such questions a-historically, but we will also look at how they have been handled by certain historical thinkers and schools of thought, especially the 19th and 20th century Existentialists.

Philosophers liable to be on the agenda include:

• Kierkegaard, Nietzsche, Sartre, Camus, and Beauvoir (from the Existentialist School)
• Frankfurt, Watson, and Wolff (from the Contemporary Compatibilist School)
• Kantians such as Korsgaard and Velleman
• contemporary theorists preoccupied with authenticity and self-expression, such as Bernard Williams.

This module is a discussion of some philosophical problems pertaining to art. Topics could include definitions of art, the objectivity versus the subjectivity of aesthetic evaluations, emotional response to art, the ontological status of artworks, and Walton's theory of make-believe.

This module aims to promote a deeper understanding of philosophical issues pertaining to art. By the end of the module, you should be able to discuss and evaluate different views of the expressive power of art, to explain certain current views on the status of aesthetic evaluations, and to present the main contemporary viewpoints pertaining to the nature of artworks.

Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.

This stranded module provides students with a detailed introduction to the major works of a single author (e.g. James Joyce, Virginia Woolf, D. H. Lawrence). Students will select one author to study from a range on offer. They will then have the opportunity to consider in detail important thematic and stylistic aspects of their chosen author’s work, taking account of the chronological development of his/her writing practice (if relevant), and his/her relationship to key historical and literary contexts.

Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.

Examine 20th century Irish literature and drama.

Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:

• W.B. Yeats
• J.M. Synge
• Lady Gregory
• James Joyce
• Seán O'Casey
• Seamus Heaney
• Brian Friel
• Marina Carr

We focus on reading texts in relation to their social, historical, and political contexts.

This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.

This module is worth 20 credits.

Explore the novel from the late twentieth century onwards, in Britain and beyond.

We will concentrate on the formal operations and innovations of selected novelists, considering how the contemporary socio-historical context influences these questions of form. Topics considered include:

• an interrogation of the ‘post-consensus novel’
• an exploration of postcolonial texts which represent the transatlantic slave trade
• the cultural politics of late twentieth-century and twenty-first century Scottish literature

Contemporary fiction is focused on writing emerging from Britain and closely-related contexts in the post-war period. This module offers strands structured around a number of political, social and cultural frameworks in Britain. These include:

• formal analysis and literary innovations in Britain
• temporalities and the representation of time
• issues of gender, race and class
• histories of colonialism and slavery
• national traditions and politics of state
• the country and the city
• postmodernism

This module particularly explores the network of relationships between context, content and form, supported by related literary and cultural theory and philosophy.

This module is worth 20 credits.

This module introduces key modern and contemporary poets.

You will build a detailed understanding of how various poetic forms manifest themselves in particular historical moments. Unifying the module is an attention to poets’ responses to the political and ideological upheavals of the 20th century.

The module will include such (primarily) British and Irish poets as:

• W.B. Yeats
• T.S. Eliot
• W. H. Auden
• Dylan Thomas
• Ted Hughes
• Sylvia Plath
• Wislawa Szymborska
• Tony Harrison
• Seamus Heaney
• Derek Mahon
• Adrienne Rich
• Geoffrey Hill
• Jo Shapcott
• Patience Agbabi
• Alice Oswald

Some of the forms examined will include: the elegy, the pastoral (and anti-pastoral), the ode, the sonnet (and sonnet sequence), the ekphrastic poem, the version or retelling, the villanelle, the parable and the sestina.

To develop a more complete perspective on each poet’s engagement with 20-century formal and political problems, we also examine these figures’ writings in other modes. This includes critical essays, manifestos, speeches, and primary archival materials such as letters and manuscript drafts.

Grounding each week will be readings on poetry and the category of the ‘political’ from an international group of critics, including such thinkers as Theodor Adorno, Charles Bernstein, Claudia Rankine, Peter McDonald, Angela Leighton, Christopher Ricks and Marjorie Perloff.

This module is worth 20 credits.

This module examines the late twentieth and early twenty-first century globe through its correlates in fiction. The primary materials for the module will be post-war Anglophone works drawn from a wide geographical range across the world. After introducing the history of the idea of world literature, these works will be situated within a series of theoretical ‘worlds’: world literary systems; post-colonial criticism; cosmopolitanism; world ecologies; resource culture; literary translation theory. The module will also attend to critiques of 'world literature’ as a concept.

The years from 1660 to 1830 are enormously important, especially in terms of the representation of the self in literature: Milton promoted the idea of the poet inspired by God; Pope and Swift mocked the possibility of anyone truly knowing their self; Wordsworth used poetry to explore his own life; and Byron and Austen provided ironic commentaries on the self-obsessions of their peers. This period also saw the rise of the novel (a form that relies upon telling the story of lives), a flourishing trade in biography, and the emergence of new genre, autobiography. This module will look at some of the most significant works of the period with particular reference to the relationship between writers and their worlds. Topics might include: the emergence, importance and limitations of life-writing; self- fashioning; the construction – and deconstruction - of the ‘Romantic’ author’; transmission and revision; translation and imitation; ideas of the self and gender; intertextuality, adaptation, and rewriting; creating and destroying the past; and writing revolution. Texts studied will range across poems, novels and prose.

This module focuses on the connections between literary texts, politics, and relevant historical/cultural contexts in gothic texts. You may cover:

• poetry
• novels
• graphic novels
• films

Examples include The Haunting of Hill House (both Shirley Jackson’s novel and the Netflix adaptation), The Gilda Stories by Jewelle Gomez, and Saga of the Swamp Thing by Moore, Bissette and Totleben, and The Visions of the Daughters of Albion by William Blake.

You will explore various critical and theoretical approaches to literature, film, comics, adaptation, and popular culture. The module also seeks to decolonise Gothic Studies, including work by creators from a wide range of backgrounds who identify with a diverse range of subject positions.

This module is worth 20 credits.

This module offers an advanced study of the language of literary texts and how it impacts reading and interpretation. It bridges the gap between the literary and linguistics aspects of our BA degrees. It also equips you with skills that will be useful in the teaching of English, or for a career in publishing.

You will study:

• literary style and technique
• the style of poetry and narrative
• the representation of characters' voices and consciousness
• the style of difficult texts, such as surrealism
• the history of literary style

You will learn to explain how style contributes to meaning and interpretation, and why texts affect you in different ways.

This module is worth 20 credits.

The module is designed to provide students with an understanding of the process of English Language Teaching (ELT) and of the theoretical underpinnings of this practice. In this module students will learn the principles behind the learning and teaching of key aspects and skills of English, including:

• vocabulary
• grammar
• reading
• writing
• speaking
• listening
• intercultural communicative skills

Students will also learn how to apply these theoretical principles to the development of teaching materials. This module will therefore be of interest to students who want to pursue a teaching career, and in particular to those interested in teaching English as a second or foreign language.

This module is worth 20 credits.

This module provides comprehensive knowledge of feminist theory, as applied to a series of language and linguistic contexts.

You will explore a range of analytical approaches to language, including conversation analysis, critical discourse analysis, and interactional sociolinguistics. You will also respond to, and critically engage with, contemporary real-world problems associated with gender and sexuality, through the consideration of discourse-based texts.

Topics covered include:

• gender and sexual identity construction in a range of interactive contexts
• sexist, misogynistic, homophobic and heteronormative representations in texts
• feminist theory from the 1970s to the present, with particular focus on contemporary approaches to gender theory

This module is worth 20 credits.

Speaking, listening, reading, and writing are a complex set of behaviours that are a fundamental part of our daily lives. And yet they remain difficult to fully explain.

When you hear ‘FIRE’, you immediately look for an exit and start moving. Yet all that a speaker has done is produce a string of sounds. Your mind distinguishes these from the murmuring of other voices, feet clomping on the floor, and any background music. Your mind matches the sounds f-i-r-e with a word, retrieves the meaning, and relates them to the current circumstances and responds accordingly.

How does the mind do this? And what makes our minds so special that we can do this? On this module, we begin to address these questions.

You will consider:

• Is there a language gene?
• What makes human language different from animal communication?
• What is the relationship between thought and language?
• Does everyone talk to themselves? What purpose does our inner voice serve?
• How do we learn language? And does cognition underpin our ability to learn language?
• What do language deficits tell us about language and the brain?
• How do we understand and produce speech, words, and sentences?
• What is the best way to teach children to read?
• How is sign language similar to/different from spoken language?

This module is worth 20 credits.

This module explores the vital role that discourse plays in various communicative domains in healthcare and workplace settings. Students will explore these domains through a variety of contemporary frameworks for examining discourse and communication, including critical discourse analysis, multi-modal discourse analysis, and interactional sociolinguistics.The module offers the opportunity to analyse and reflect on the discourses of healthcare and the workplace, as two crucially important domains of social and professional life. To this end, professional and healthcare discourses will be investigated through a range of genres and communicative modes, including face-to face communication advertising, media discourse and digital interactions. The module offers a rich resource for discourse-based studies of language in professional and social life and enables students to examine the strategic uses of communicative strategies in specific social settings.

The module uses the study of place-names to show the various languages – British, Latin, French, Norse and English – that have been spoken in England over the last 2000 years.

You will learn how place-name evidence can be used as a source for the history of English, including:

• its interaction with the other languages
• its regional and dialectal patterns
• its changing vocabulary

We also consider the interdisciplinary contribution that place-names offer to historians and geographers.

For this module's assessment, you can choose a geographical area of particular interest.

This module is worth 20 credits.

The genre of dream-vision inspired work by all the major poets of the Middle Ages, including William Langland, the Pearl-Poet, and Geoffrey Chaucer. The course will aim to give you a detailed knowledge of a number of canonical texts in this genre, as well as ranging widely into the alliterative revival, and chronologically into the work of John Skelton in the early sixteenth century. The course will depend upon close, detailed reading of medieval literary texts, as well as focusing on the variety and urgency of issues with which dream poetry is concerned: literary, intellectual, social, religious and political.

Our images of Vikings come largely from the Icelandic sagas. These present a Viking Age of daring exploits, global exploration and bloody feuds, as carried out by valiant warriors and feisty women. But how accurate are the sagas when it comes to understanding what really happened in the Viking Age? Can they provide an insight into the Viking mind?

This module explores Norse and Viking cultural history, using an interdisciplinary approach grounded in the study of texts. 

Topics covered include:

• The Viking Age and Viking society
• Exploration and diaspora
• Gender, marriage and family
• Religion and belief
• Outlaws
• Poetry
• The supernatural

Your one-hour lectures will provide the evidence base for discussion in the two-hour, student-led seminars. The seminars also include some language work.

Assessment for this module is by a one-hour exam of comment and analysis, and a 3000-word project on a topic of your choice in consultation with a tutor.

This module is worth 20 credits.

Peter Pan, Les Misérables, Hamilton... just a few of the iconic productions that started life in London’s West End, or on Broadway in New York. But why and how did they become so successful?

The 20th and 21st centuries have seen major changes in the way theatre is financed, produced and presented, both on stage and on screen. This module explores the fascinating world of theatre production, covering:

• the development of long-running, commercial productions
• the role of the theatre producer in making theatre
• subsidised theatre
• touring and national theatre companies
• reviewing cultures
• relationship between the theatre and film industries
• the advent of the mega-musical

Examining the mainstream and the fringes, we apply case studies including Shakespeare in production, new plays, revivals, and international hits like the ones listed above, illustrating how theatre responds to changing contexts and audiences.

This module is worth 20 credits.

This module focuses on the creative process of making theatre as an ensemble. The first half of the module introduces a range of practical and theoretical approaches, including Stanislavski, Lecoq, Laban, Meyerhold, along with approaches to devised and physical theatre influenced by companies such as Frantic Assembly and Gecko. This work builds on the understanding of performance conventions developed through practical workshops begun in the first year Drama, Theatre, Performance module, and the performance theory through practice approach of the second year Stanislavski to Stelarc module. For the second half of the module, students assess which of these practical and theoretical models they wish to draw on through rehearsal practice and discussion as they develop a short , assessed, ensemble piece(s) for public performance.

You have the option of writing an individual research project in your final year. This can be on a topic of language, literature or performance.

You will work on a one-to-one basis with a supervisor, producing a detailed and sustained piece of writing.

There is also the option of completing a project-based dissertation. This is useful if you are interested in applied or practical aspects of English.

Recent dissertation titles include:

• 'From Diamonds to Dust: An Ecocritical Comparison Between Modernist Literature and Contemporary Environmental Fiction'
• 'The Representation of Racial Injustices in Claudia Rankine's Citizen: An American Lyric'
• 'Seamus Heaney and Samuel Beckett in Relation to British Imperialism'
• 'Ethical Criticism and Zadie Smith'

This module is worth 20 credits.

This project-based dissertation will consist of School identified projects involving placements or periods of observation and activity with outside partners and within the University. Partners include Lakeside Arts Centre, Nottingham Playhouse, and Manuscripts and Special Collections. The dissertation will be a specialist study and academic evaluation of the placement experience and/or its findings. All topics and the required programme of work are to be identified and approved by the convenor in agreement with the project partner.