In German, your language studies will be developed to prepare you for the year abroad, as well as deepening your understanding of German history and culture. In international media and communications studies you will explore issues surrounding public relations, political communication and global media, and news production. You will also receive specific research training in the area of culture, film and media in order to lay the foundations for your final year dissertation.
Understanding Cultural Industries
In this module you'll learn how show business is broken down into 'show' and 'business' in film, television and promotional industries and examine how creative decision-making, technology and legislation influence those industries. You'll also learn about how advertising and market research influence the design and production of media in certain regions and how film and television industries have developed in different contexts and periods. This module is worth 20 credits.
Media Identities: Who We Are and How We Feel
This module develops critical modes of attention to the mediation of identity. On our screens and in our headphones, we shape and reshape our selves. Media do not reflect identities but play an active role in bringing them into being. This module takes up the question of 'identity politics', enhancing students' knowledge and understanding of key identity categories that have been advanced and problematized by media scholars, such as gender and sexuality, race and ethnicity, national, regional and local belonging, age, ability and disability, and more. The module also interrogates the mediated forms these identities take, considering the politics of looking and visual culture, the politics of hearing and auditory culture, and the politics of affect, emotions and embodiment. The module encourages historical as well as contemporary perspectives.
Political Communication, Public Relations and Propaganda
We're bombarded with political messages every day and in every way. They aim to influence our thinking and affect our behaviour. Some are blatant ("Hands. Face. Space.") some are more subtle ("A report launched by a thinktank today highlights..."). Some don't seem like deliberate messages at all ("Have you seen this Boris GIF. 😂").
We'll explore this world of political communication, public relations and propaganda in its widest form. In particular we'll look at:
- communicators - established institutions and power groups as well as those in opposition to them, both in formal politics and civil society
- global contexts - the political, economic, social and cultural landscapes that structure and influence political journalism and public debate.
- the public – as passive audiences, as a political imaginary, as part of a deliberative public sphere, and as actively campaigning partisans
- form - the discourses and symbolic strategies used and the influence of technology
- ethics – whether persuasive communication is good or bad for democracy, and whether free or regulated media better serve the public interest
Taking a global approach we'll explore specific practices from around the world.
And with a focus on current political communication, you'll be expected to maintain an interest in recent events and to be able to discuss up-to-date examples.
This module is worth 20 credits.
The Sixties: Culture and Counterculture
Described variously as an era of dissent, revolution and experiment, the 1960s offers a unique vantage point from which to explore a range of issues and topics pertinent to media and cultural studies. The art of the period brings into view a volatile world where distinctions between different media were becoming blurred (as in performance art, for instance) and where inherited ideas, hierarchies and values were contested, if not exploded. Notions such as the Establishment, the underground, celebrity, obscenity, mass culture, alongside those of personal identity (gender, race, class, sexuality) were all subject to radical questioning in an era where events, such as those of the Civil Rights Movement and the Vietnam War, challenged the received order of things. This module critically evaluates the idea of the 1960s, starting with its status as a fabled decade that is said to cast its shadow today. Historiographical and geographical questions structure the module. When and, crucially, where were ‘the Sixties’? Was it primarily an Anglo-American phenomenon? Was it the 1950s until 1963? Did it end in the early 1970s, as some believe, with the Oz Trials? These and other questions will help us to demythologise the period and begin investigating it anew.
Black Art in a White Context: Display, Critique and The Other
You will explore the works and practices of Black artists that have been displayed or produced in Europe and America from the nineteenth century to the present day. This includes how methods of display, tactics of critique and attitudes towards the 'Other' have defined and influenced how Black art is viewed and produced in the Western world.
Moving through time we'll:
- examine nineteenth-century attitudes towards African objects
- explore the influences of ethnography and African material culture on artists working in the early to mid-twentieth century, such as the Surrealists
- consider artworks produced in the Harlem Renaissance by painters like Aaron Douglas and photographers like James Van Der Zee
- discover how artists like Jeff Donaldson and Faith Ringgold sought to recover African history, culture, and forms of memory in the context of the civil rights movements of the 1960s and 1970s, and how their work responded to the political and social pressures of this period
- look at the practices of more recent artists like Lorna Simpson, Glenn Ligon, and Kara Walker, and explore how artists have critically re-presented history’s narratives in ‘the present’ before focusing on the curatorial works of Fred Wilson
To finish we'll consider the rise of contemporary African art within European and American art markets, and the related economic and political shifts that have occurred since the colonial era.
This module is worth 20 credits.
Film and Television in Social and Cultural Context
During this year-long module you'll:
- think about industries, audiences and surrounding debates from a social and cultural viewpoint
- learn about the way that social and cultural meaning is produced by film and television programmes
- explore the social practices that surround the consumption of media, such as movie going and television viewing
Some of the specific questions we might look at together include:
- How do value judgements shape the way in which movies and television programmes get made
- What is "good" television?
- What challenges are public service broadcasters, like the BBC, facing and how should they address these?
- How have writers and producers attempted to use television drama to enact social change?
- What kind of TV programmes are preferred by streaming services and why?
- How might binge watching impact on the viewer's experience and social communication?
This module is worth 20 credits.
Transnational Media
In this module you'll learn about the concepts of ‘transnational’ and ‘postnational’ media, taking into account the movement and interactions of people, finance, technology and ideas around the world. The module addresses in particular global media interactions emerging from tensions between forces of cultural homogenisation and heterogenisation. You'll also develop a foundation of theoretical knowledge to be applied to case studies in global film, television and other screen and print media. This module is worth 20 credits.
Digital Communication and Media
Digital communication and media are significantly transforming the ways our societies operate. In this module you will critically explore key issues behind this transformation, and investigate theoretical and practical foundations of digital communication and media and their relationship to contemporary culture. You will study the cultural, political, economic, technical and regulatory contexts from which digital communication and media have emerged and in which they continue to operate. To link conceptual frameworks to real-life experiences and situations, the module also provides opportunities for you to explore the interactive forms and practices that result from the use of digital communication and media through a range of both individual and group activities. This module is worth 20 credits.
Art and Architecture in Nottingham
A vital introduction to the first-hand study of art and architecture.
Through a series of weekly site visits you’ll explore:
- space - residential, commercial, industrial, recreational, ceremonial
- function - art galleries, streets, churches, factories, monuments, municipal buildings, museums, private estates, public parks
- identity - civic, familial, institutional, political, religious
We’ll examine how these change as a city develops and ask important questions about heritage and conservation.
The on-site study will be supported by archival material from Manuscripts and Special Collections. This might include architectural drawings, guide books, maps, newspapers, pamphlets, and photographs.
Memory, Media and Visual Culture
Media, TV, film and visual culture play a central role in forming our knowledge of the past. There is no memory without its representation in language or images. Using a range of case studies, you will explore how different forms of remembrance add weight to what they represent. Who remembers what, when, where, why and to what purpose? Why do screen and other media retell certain stories over and over again, and how is such remembrance linked to the erasure of other pasts? What is the relationship between national and transnational memories, when set against memories of enslavement and its visualisations? These, and other questions, will guide our approach to an interdisciplinary field of media, film and visual studies. The module will also encourage you to reflect critically on regimes of visibility and narration, and on the distinct ways that memories of certain events are communicated via different genres, institutions, and artefacts. This module is worth 20 credits.
Los Angeles Art and Architecture 1945-1980
This module introduces a number of artistic and architectural practices that emerged in Southern California after 1945. Exploring their cultural and historical context, we will consider the role of Los Angeles in the development of post-1945 American art and architecture, including mid-century modernism, Pop Art, Conceptual Art and Light & Space Art. Central to this module is the question of whether all art made in Los Angeles can be classified as “Los Angeles Art” – that is, the extent to which the art and architecture of the region necessarily reflected the geographical location, climate, and expansive urban layout of Los Angeles. To this end, we will consider the critical reception of art of this period, investigating, amongst other critical constructs, the notions of centre and periphery, regionalism and the cultural construction of the American west that shaped much writing on California during the period.
Reading German History: Nation and Society
This module offers an introduction to the study of German history based on issues surrounding nationhood at key points from the nineteenth to the early twentieth century. We will examine the emergence and development of the great political ideologies of liberalism, conservatism and socialism that shaped German state and society throughout this period.
Through the study of relevant primary sources, the module focuses on the revolutionary changes and constitutional settlements experienced in modern German history at three key stages of national political development: the 1848 Revolution, National Unification in 1871 and the Revolution of 1918/19 that gave birth to the Weimar Republic in 1919.
German National Socialism (1933-1945): Hitler and the Third Reich
This module explores the period of National Socialism in Germany (1933-1945). After an outline of the historical context of this period we will critically view the ideology and politics of the time with particular focus on society and culture.
We will evaluate original sources (in translation) such as posters, speeches, newspapers and films. Theoretical writings on select topics such as propaganda, leader cult, media, childhood, womanhood and 'the other' will assist our critical analysis.
Life and Demise of the GDR
This module investigates social developments in German Democratic Republic (GDR) society over four decades of communist rule and social changes in Eastern Germany after the demise of the GDR. You will be introduced to the ideological principles which the Socialist Unity Party attempted to legitimize in the GDR as the only viable alternative to fascism for a modern society. You will then look at how this ideology was enforced through state authority in every domain of society.
Based on contemporary texts (e.g. GDR propaganda, GDR writers and other intellectuals), you will further examine how people negotiated their lives within these officially imposed ideological structures, exploring a range of individual responses from conformism to non-conformism and opposition.
Finally you will look at a new kind of “public authority” during the Wende period in the GDR, which triggered the disintegration of communist power structures, and the subsequent changes in East German society.
English Literature in Modern Languages contexts
This is a comparative literature module that considers key authors and works of English literature in European and American contexts, and with a particular emphasis on the language studied for which it will count as 10 credits non-subsid. module.
The module integrates the study of canonical British/Irish literature with an international resonance – such as Shakespeare’s Hamlet, Othello or The Tempest, British Romantic poetry, or selected novels by Jane Austen and Charlotte Bronte – into the analysis of its international reception across the Americas and Europe.
At the same time it also explores international literary responses to these canonical English works from the eighteenth century to the present, including postcolonial authors ‘writing back’, along with transnational writing in English by authors such as James Joyce, Joseph Conrad and Vladimir Nabokov.
Discussing English literature from international perspectives and using current comparative methodology, it covers North American literature and literature in the European languages (French, German, Russian and others) that is available in English translation.
The Language of German Media - Linguistic and Journalistic Perspectives
This module investigates the specific language used by the German media from linguistic and journalistic perspectives. You will learn about the distinctive pragmatic and semantic features of the language used on radio, on television and in the print media. This linguistic analysis then enables us to explore how journalists attract their target audience.
We will look at various text types and media genres including news and advertisements, as well as analyse the differences between media-specific language and the language used in society at large. In this context you will not only learn how journalists write for different media and genres, but also about the ethics of journalistic writing and how ethical concerns affect the language of the media.
European Silent Cinema
This module will examine the development of cinema during the silent era, from its invention in the 1890s through to the early 1930s, in France, Germany and the Russian Empire/Soviet Union. Because silent cinema was easy to translate and export from one country to another, it was highly transnational, and the module will enable you to see how filmmakers in different countries entered into dialogue with one another. You will be able to compare and contrast the themes and preoccupations of films produced in these countries, and consider how these reflected distinct political and cultural agendas.
The first part of the module will introduce students to the history of early film, primarily as it developed in France, looking at short actualité films produced by the Lumière brothers and others. It will consider the practices of display of ‘silent’ film (looking especially at how it was accompanied by music, speech and sound effects), and look at its appeal to popular audiences as well as its broader critical reception. We will then go on to consider a range of films made during the silent era, which represent two main tendencies:
- A tendency towards realism and the examination of everyday life
- A tendency towards fantasy and the creation of spectacular new realitie
You will be introduced to the fundamentals of film language and will be encouraged to engage in close analysis of short extracts from the films.
Films will include (but will not be limited to):
- Georges Méliès, Voyage to the Moon (1902)
- Louis Feuillade, Fantômas serial (1913)
- Paul Wegener, The Golem (1920)
Introduction to Literary Translation
The module provides an introduction to literary translation from German into English. We will analyse key issues of cultural difference and historical distance by comparing different translations of the same original text. As part of the assessment for the module you will compose your own translation of a literary text of your choice and summarise your translation strategy. Class discussions and the translation work you undertake for this module will help you to improve your understanding of the linguistic and cultural differences between English and German, develop enhanced translation skills, and gain insights into literary texts.
Reason and its Rivals from Kant to Freud
In this module we will examine a selection of approaches to modernity, beginning with Kant’s assertion of individual reason as the founding stone of enlightened social organisation. We will move on to examine how Marx and Engels, Nietzsche and Freud all interrogated Kant’s position in their work. Our discussions will touch on the nature of the individual subject, the role of culture, as well as competing ideas of the status of reality as based in social conditions, or the product of the will, drives, or ideology.
Media in Germany
This module explores the history of print and broadcasting in Germany from 1933 to the 1990s, and investigates the relationship between media content and culture. You will develop a foundation in the key concepts of media studies and gain insight into the connection between media and ideology. You will also have the opportunity to undertake research into primary sources from our extensive newspaper archive.
National Socialist Germany
This module focuses on the social, economic and political-ideological structures which shaped domestic and foreign policy between 1933 and 1945. We will begin by examining the process through which Weimar democracy was overthrown and the structures of dictatorship imposed. We will then turn to the social, economic and ideological factors which shaped the transformation of Germany into a Volks-gemeinschaft before examining the development of Nazi foreign policy and the genesis of the Holocaust. Throughout the module we will consider political, social, economic and ideological factors in shaping Nazi policy at home and abroad.