You again have free choice of modules balanced equally across both subjects (60 credits in each).
A key feature of your third year is the opportunity to write a dissertation, allowing you to explore a topic of personal interest in depth. This can specialise in one subject or combine them both in a single dissertation.
You must pass year three and it counts approximately two thirds towards your final degree classification.
Dissertation in History of Art
This module involves the in-depth study of an art historical topic over one or two semesters. You will chose the topic in consultation with a tutor, subject to the approval of the Department. You will be allocated a dissertation supervisor appropriate to the chosen topic. Teaching for this module takes the form of individual tutorials with your dissertation supervisor, as well as group workshops focusing on research, writing, and presentation skills. It provides you with the opportunity to undertake a substantial piece of writing on a topic of particular personal interest.
The dissertation can be taken for 20 or 40 credits.
Fascism, Spectacle and Display
This module will examine cultural production during Italy’s fascist regime. There will be an emphasis on the experience of visual culture in public settings such as the exhibition space, the cinema, and the built environment. A wide range of cultural artefacts will be examined, paying attention to material as well as visual aspects. Visual material will be situated in the social, cultural and political circumstances of the period. Topics will include: Fascism’s use of spectacle, fascist conceptions of utopia, the regime’s use of the past, the relationship between Fascism and modernism, Fascism as a political religion, the cult of Mussolini, urban-rural relations, and empire building. The module will also consider the afterlife of fascist visual culture and the question of ‘difficult’ heritage.
Photographing America
This module examines the development of photography in America from roughly 1945 onwards. The module breaks the period down into themes and considers:
1. the transformation of ‘documentary’ photograph;
2. the emergence and importance of colour photography;
3. experimental, conceptual and post-conceptual photography;
4. issues of serialism and seriality;
5. landscape photography;
6. the photobook
7. analogue/digital
The module will draw on the work of a diverse range of photographers, including Walker Evans, Robert Frank, Harry Callahan, Aaron Siskind, Ed Ruscha, Lewis Baltz, Robert Adams, Robert Heinecken, Stephen Shore, Todd Hido, William Eggleston and Doug Rickard.
Contested Bodies: Gender and Power in the Renaissance
You'll start with an introduction to women's history in the period 1300-1600 in an Italian context. This will include women's domestic and political roles across ages, marital status and class.
We'll then then look at the role of the Renaissance (1400-1600) woman in art:
- How have women been represented
- How did women play a part in the consumption and commissioning processes
- How did women, if at all, become active as the creators of art
Classes will focus on:
- the role of biblical and patristic writings in shaping attitudes towards women
- the role of the family and marriage in fashioning gender relations
- representations of good and bad women
- women as patrons and producers of art
We'll use methodologies from a variety of disciplines, such as history, art history and gender studies.
Gender, Sexuality and Media
Examine how issues of gender and sexuality relate to media and popular culture.
Using the intersectional fields of feminism, queer theory, and media and cultural studies we'll ask some crucial questions such as:
- How are gender and sexuality represented in media and popular culture?
- How do media and cultural industries structure gender and sexual inequalities?
- How are identities and practices of media audiences and users gendered and sexualised?
- How can gender and sexual norms be challenged in creative and radical ways?
This module is worth 20 credits.
Public Cultures: Protest, Participation and Power
Explore the relationship between public space, politics and technology using overlapping and interdisciplinary fields, including:
- cultural studies
- cultural geography
- digital studies
- urban sociology
- cultural politics
You will engage in debates about the changing nature and uses of public space, with an emphasis on urban environments and digital space.
A range of protest movements will also provide case-study material and offer a central focus for your theoretical and practical explorations of the role of new technologies in:
- controlling space
- resisting control
- enabling new forms of civic participation.
This module is worth 20 credits.
Auditory Cultures: Sound, Listening and Everyday Life in the Modern World
This module introduces students to the cultural and social role of sound and listening in everyday life. Scholars have argued that, since the Enlightenment, modern societies have privileged sight over the other senses in their desire to know and control the world. But what of hearing? Until recently, the role of sound in everyday life was a neglected field of study. Yet Jonathan Sterne argues that the emergence of new sound media technologies in the nineteenth century - from the stethoscope to the phonograph - amounted to an 'ensoniment' in modern culture in which listening took centre stage.
Beginning with an examination of the relationship between visual and auditory culture in everyday life, this module introduces a variety of cultural contexts in which sound played an important role, including:
- how people interact with the sounds of their cities
- how new sound technologies allowed people to intervene in everyday experience
- why some sounds (such as music) have been valued over others (such as noise)
- the role of sound in making and breaking communities
- the role of sounds in conflict and warfare
- the importance of sound in film and television from the silent era onwards.
We use a variety of sound sources, such as music and archival sound recordings, in order to understand the significance of sound in everyday life from the late eighteenth century to the present.
Film and Television Genres
Many films share common traits. Together they might be classed as “action”, “made for television” or “low budget”. But how does as film get assigned a genre? Who does the assigning? And what impact does this assigning have?
During the module we’ll delve deep into a particular genre. We’ll examine it’s:
- key concepts and texts
- development
- influence and influences
Building on what you’ve learnt in years one and two you’ll also look at the genre in the context of production and consumption.
As well as knowledge of a specific genre you’ll also develop the skills to apply your learning to other genres.
This module is worth 20 credits.
Working in the Cultural Industries
The cultural and creative industries are at the forefront of government strategies across the world for developing post-industrial economies, are seen as exciting places to work, and regularly feature at the top of graduate employment destinations.
- But what are these industries, and what is it like to work in them?
- How do you gain entry to these competitive, highly skilled jobs?
- What is ‘creativity’ and why is it so important to modern economies?
- And what does the future hold for cultural and creative sectors?
We’ll examine the structure, organisation and working patterns in the creative and media industries alongside more practical exercises designed to help you to identify and evaluate your own skills and interests. This combination of industry knowledge and personal reflection is aimed to help you to find a rewarding and exciting career when you leave university.
You’ll also examine key aspects of contemporary work including:
- the concept of creativity, the knowledge economy and precarious labour
- important issues such as internship culture, exploitation and inequality
There will be plenty of opportunity to discuss and build upon your own experiences and aspirations, and to conduct independent research on areas of creative and media work that interest you.
This module is worth 20 credits.
Self, Sign and Society
This module equips students you with the theoretical tools needed to explore how social identity is both asserted and challenged through the deployment of signs broadly conceived. 'Sign' is understood here primarily with reference to Saussurean linguistics, and the impact of the structuralist and then poststructuralist movements on disciplines such as anthropology, sociology, psychoanalysis, semiotics, postcolonial theory, cultural studies and visual culture.
- How does our accent function as a sign of our class origins or cultural sympathies?
- Does skin colour always function as a social sign?
- How do the clothes we wear align us with particular lifestyles and ideological positions and how is this transgressed?
- How has the phenomenon of self-branding colonised our everyday lives?
- What does our Facebook profile say about how we would like to be read by the wider world? Does the logic of the sign itself exceed what we intend to do with it?
- How do the signs that construct a social 'self' circulate in the context of new media?
- Are there psychological costs associated with living in this society of the sign?
This module will address these and other related questions by introducing students to the approaches of thinkers such as Freud and Lacan, Saussure and Greimas, Barthes and Baudrillard, Levi-Strauss and Geertz, Derrida and Bhabha, and Mirzoeff and Mitchell among others.
Art and Science: 1900 to the present
This module explores the influence of scientific disciplines on art production and theory from the early twentieth century to the present day. It will examine how artists have interrogated ideas surrounding objectivity, optics, knowledge, and humanity itself by deploying traditionally scientific methodologies, processes, and epistemologies in the making of visual art. We will consider how the work of artists including the Surrealists, Marcel Duchamp, Marcel Broodthaers, Mark Dion, Joseph Beuys, Susan Hiller, and Marc Quinn has been influenced by the ideas and objects associated with diverse approaches to the material (and immaterial) world, such as astronomy, geology, ethnography, physics, and anthropology.
Mobility and the Making of Modern Art
New technologies of mobility have long been a defining condition of modernity. It is from this perspective that we will examine modern art while highlighting the interrelated components of movement and speed – mechanized motion, temporality and their political connotations (e.g., social, ideological, artistic trends). This module includes a range of works, mainly paintings, from the mid nineteenth century to the early twentieth century. We will also consider photography and other pre-cinematic forms of moving images such as optical devices, peepshows, and panoramas that added different motion and time to representation. A key question is the role of artists in naturalizing the equation between mobility, modernity, and the West. To this end, our consideration will involve non-Western representations to explore the ideological and economic implications of mobility.
The Self and the World: Writing in the Long Eighteenth Century
The years from 1660 to 1830 are enormously important, especially in terms of the representation of the self in literature: Milton promoted the idea of the poet inspired by God; Pope and Swift mocked the possibility of anyone truly knowing their self; Wordsworth used poetry to explore his own life; and Byron and Austen provided ironic commentaries on the self-obsessions of their peers. This period also saw the rise of the novel (a form that relies upon telling the story of lives), a flourishing trade in biography, and the emergence of new genre, autobiography. This module will look at some of the most significant works of the period with particular reference to the relationship between writers and their worlds. Topics might include: the emergence, importance and limitations of life-writing; self- fashioning; the construction – and deconstruction - of the ‘Romantic’ author’; transmission and revision; translation and imitation; ideas of the self and gender; intertextuality, adaptation, and rewriting; creating and destroying the past; and writing revolution. Texts studied will range across poems, novels and prose.
Making Something Happen: 20th Century Poetry and Politics
This module introduces key modern and contemporary poets.
You will build a detailed understanding of how various poetic forms manifest themselves in particular historical moments. Unifying the module is an attention to poets’ responses to the political and ideological upheavals of the 20th century.
The module will include such (primarily) British and Irish poets as:
- W.B. Yeats
- T.S. Eliot
- W. H. Auden
- Dylan Thomas
- Ted Hughes
- Sylvia Plath
- Wislawa Szymborska
- Tony Harrison
- Seamus Heaney
- Derek Mahon
- Adrienne Rich
- Geoffrey Hill
- Jo Shapcott
- Patience Agbabi
- Alice Oswald
Some of the forms examined will include: the elegy, the pastoral (and anti-pastoral), the ode, the sonnet (and sonnet sequence), the ekphrastic poem, the version or retelling, the villanelle, the parable and the sestina.
To develop a more complete perspective on each poet’s engagement with 20-century formal and political problems, we also examine these figures’ writings in other modes. This includes critical essays, manifestos, speeches, and primary archival materials such as letters and manuscript drafts.
Grounding each week will be readings on poetry and the category of the ‘political’ from an international group of critics, including such thinkers as Theodor Adorno, Charles Bernstein, Claudia Rankine, Peter McDonald, Angela Leighton, Christopher Ricks and Marjorie Perloff.
This module is worth 20 credits.
Single-Author Study
This stranded module provides students with a detailed introduction to the major works of a single author (e.g. James Joyce, Virginia Woolf, D. H. Lawrence). Students will select one author to study from a range on offer. They will then have the opportunity to consider in detail important thematic and stylistic aspects of their chosen author’s work, taking account of the chronological development of his/her writing practice (if relevant), and his/her relationship to key historical and literary contexts.
The Gothic Tradition
This module focuses on the connections between literary texts, politics, and relevant historical/cultural contexts in gothic texts. You may cover:
- poetry
- novels
- graphic novels
- films
Examples include The Haunting of Hill House (both Shirley Jackson’s novel and the Netflix adaptation), The Gilda Stories by Jewelle Gomez, and Saga of the Swamp Thing by Moore, Bissette and Totleben, and The Visions of the Daughters of Albion by William Blake.
You will explore various critical and theoretical approaches to literature, film, comics, adaptation, and popular culture. The module also seeks to decolonise Gothic Studies, including work by creators from a wide range of backgrounds who identify with a diverse range of subject positions.
This module is worth 20 credits.
Island and Empire
While the vexed questions of British identity and its relationship to empire have been at the forefront of political debate in the last decade, they have also been integral to literary production for many centuries. This module interrogates English and British representations of colonisation and empire, within Great Britain and Ireland and with particular reference to India. Well known writers such as Edmund Spenser, Jonathan Swift, Walter Scott, Arthur Conan Doyle, Rudyard Kipling and Salman Rushdie, will be set against less familiar voices, to consider the ways in which dominant narratives come about and can be challenged.
Oscar Wilde and Henry James: British Aestheticism and Commodity Culture
Henry James and Oscar Wilde had a passionate dislike of each other, as well as very different values. Even so, they moved in similar circles. Both men found themselves at the centre of British cultural and intellectual life, experimenting within the same set of literary, critical and theatrical modes.
This module uses the writings of Oscar Wilde and Henry James, alongside some of their contemporaries, to examine changes in literary culture and the practices of literary composition in the late 19th century.
We will explore:
- The role of new technology in literary creativity
- The growth of mass and 'celebrity' culture
- The development of consumerism and resulting commodification of literary art
- The changing relationship of art to politics
- Anxieties about artistic originality and plagiarism
- Attempts (via censorship) to police literary expressivity
You will study a range of texts by Wilde and James, including drama, fiction and criticism. These will be compared with pieces by a number of their contemporaries (including Walter Pater and William Morris), in order to assess both the modernity and radicalism of their writings.
This module is worth 20 credits.
Modern Irish Literature and Drama
Examine 20th century Irish literature and drama.
Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:
- W.B. Yeats
- J.M. Synge
- Lady Gregory
- James Joyce
- Seán O'Casey
- Seamus Heaney
- Brian Friel
- Marina Carr
We focus on reading texts in relation to their social, historical, and political contexts.
This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.
This module is worth 20 credits.
Reformation and Revolution: Early Modern literature and drama 1588-1688
Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.
Songs and Sonnets: Lyric poetry from Medieval Manuscript to Shakespeare and Donne
Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.
One and Unequal: World Literatures in English
This module examines the late twentieth and early twenty-first century globe through its correlates in fiction. The primary materials for the module will be post-war Anglophone works drawn from a wide geographical range across the world. After introducing the history of the idea of world literature, these works will be situated within a series of theoretical ‘worlds’: world literary systems; post-colonial criticism; cosmopolitanism; world ecologies; resource culture; literary translation theory. The module will also attend to critiques of 'world literature’ as a concept.
Contemporary Fiction
Explore the novel from the late twentieth century onwards, in Britain and beyond.
We will concentrate on the formal operations and innovations of selected novelists, considering how the contemporary socio-historical context influences these questions of form. Topics considered include:
- an interrogation of the ‘post-consensus novel’
- an exploration of postcolonial texts which represent the transatlantic slave trade
- the cultural politics of late twentieth-century and twenty-first century Scottish literature
Contemporary fiction is focused on writing emerging from Britain and closely-related contexts in the post-war period. This module offers strands structured around a number of political, social and cultural frameworks in Britain. These include:
- formal analysis and literary innovations in Britain
- temporalities and the representation of time
- issues of gender, race and class
- histories of colonialism and slavery
- national traditions and politics of state
- the country and the city
- postmodernism
This module particularly explores the network of relationships between context, content and form, supported by related literary and cultural theory and philosophy.
This module is worth 20 credits.
Teaching English as a Foreign Language
The module is designed to provide students with an understanding of the process of English Language Teaching (ELT) and of the theoretical underpinnings of this practice. In this module students will learn the principles behind the learning and teaching of key aspects and skills of English, including:
- vocabulary
- grammar
- reading
- writing
- speaking
- listening
- intercultural communicative skills
Students will also learn how to apply these theoretical principles to the development of teaching materials. This module will therefore be of interest to students who want to pursue a teaching career, and in particular to those interested in teaching English as a second or foreign language.
This module is worth 20 credits.
Language and the Mind
Speaking, listening, reading, and writing are a complex set of behaviours that are a fundamental part of our daily lives. And yet they remain difficult to fully explain.
When you hear ‘FIRE’, you immediately look for an exit and start moving. Yet all that a speaker has done is produce a string of sounds. Your mind distinguishes these from the murmuring of other voices, feet clomping on the floor, and any background music. Your mind matches the sounds f-i-r-e with a word, retrieves the meaning, and relates them to the current circumstances and responds accordingly.
How does the mind do this? And what makes our minds so special that we can do this? On this module, we begin to address these questions.
You will consider:
- Is there a language gene?
- What makes human language different from animal communication?
- What is the relationship between thought and language?
- Does everyone talk to themselves? What purpose does our inner voice serve?
- How do we learn language? And does cognition underpin our ability to learn language?
- What do language deficits tell us about language and the brain?
- How do we understand and produce speech, words, and sentences?
- What is the best way to teach children to read?
- How is sign language similar to/different from spoken language?
This module is worth 20 credits.
Advanced Stylistics
This module offers an advanced study of the language of literary texts and how it impacts reading and interpretation. It bridges the gap between the literary and linguistics aspects of our BA degrees. It also equips you with skills that will be useful in the teaching of English, or for a career in publishing.
You will study:
- literary style and technique
- the style of poetry and narrative
- the representation of characters' voices and consciousness
- the style of difficult texts, such as surrealism
- the history of literary style
You will learn to explain how style contributes to meaning and interpretation, and why texts affect you in different ways.
This module is worth 20 credits.
Discourses of Health and Work
This module explores the vital role that discourse plays in various communicative domains in healthcare and workplace settings. Students will explore these domains through a variety of contemporary frameworks for examining discourse and communication, including critical discourse analysis, multi-modal discourse analysis, and interactional sociolinguistics.The module offers the opportunity to analyse and reflect on the discourses of healthcare and the workplace, as two crucially important domains of social and professional life. To this end, professional and healthcare discourses will be investigated through a range of genres and communicative modes, including face-to face communication advertising, media discourse and digital interactions. The module offers a rich resource for discourse-based studies of language in professional and social life and enables students to examine the strategic uses of communicative strategies in specific social settings.
Language and Feminism
This module provides comprehensive knowledge of feminist theory, as applied to a series of language and linguistic contexts.
You will explore a range of analytical approaches to language, including conversation analysis, critical discourse analysis, and interactional sociolinguistics. You will also respond to, and critically engage with, contemporary real-world problems associated with gender and sexuality, through the consideration of discourse-based texts.
Topics covered include:
- gender and sexual identity construction in a range of interactive contexts
- sexist, misogynistic, homophobic and heteronormative representations in texts
- feminist theory from the 1970s to the present, with particular focus on contemporary approaches to gender theory
This module is worth 20 credits.
English Place-Names
The module uses the study of place-names to show the various languages – British, Latin, French, Norse and English – that have been spoken in England over the last 2000 years.
You will learn how place-name evidence can be used as a source for the history of English, including:
- its interaction with the other languages
- its regional and dialectal patterns
- its changing vocabulary
We also consider the interdisciplinary contribution that place-names offer to historians and geographers.
For this module's assessment, you can choose a geographical area of particular interest.
This module is worth 20 credits.
Old English Heroic Poetry
This module gives an opportunity to those who already have a basic knowledge of Old English language and literature to explore some of the astonishing range of texts from the earliest stages of English literature. The texts studied are heroic and Christian. Themes include Germanic myth and legend, heroic endeavour, Christian passion. A study of the epic poem Beowulf — its characters, its themes, its ‘meaning’ — is essential to the module. Texts are read in Old English (with plenty of help given).
Dreaming the Middle Ages: Visionary Poetry in Scotland and England
The genre of dream-vision inspired work by all the major poets of the Middle Ages, including William Langland, the Pearl-Poet, and Geoffrey Chaucer. The course will aim to give you a detailed knowledge of a number of canonical texts in this genre, as well as ranging widely into the alliterative revival, and chronologically into the work of John Skelton in the early sixteenth century. The course will depend upon close, detailed reading of medieval literary texts, as well as focusing on the variety and urgency of issues with which dream poetry is concerned: literary, intellectual, social, religious and political.
Songs and Sonnets: Lyric poetry from Medieval Manuscript to Shakespeare and Donne
Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.
The Viking Mind
Our images of Vikings come largely from the Icelandic sagas. These present a Viking Age of daring exploits, global exploration and bloody feuds, as carried out by valiant warriors and feisty women. But how accurate are the sagas when it comes to understanding what really happened in the Viking Age? Can they provide an insight into the Viking mind?
This module explores Norse and Viking cultural history, using an interdisciplinary approach grounded in the study of texts.
Topics covered include:
- The Viking Age and Viking society
- Exploration and diaspora
- Gender, marriage and family
- Religion and belief
- Outlaws
- Poetry
- The supernatural
Your one-hour lectures will provide the evidence base for discussion in the two-hour, student-led seminars. The seminars also include some language work.
Assessment for this module is by a one-hour exam of comment and analysis, and a 3000-word project on a topic of your choice in consultation with a tutor.
This module is worth 20 credits.
Modern Irish Literature and Drama
Examine 20th century Irish literature and drama.
Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:
- W.B. Yeats
- J.M. Synge
- Lady Gregory
- James Joyce
- Seán O'Casey
- Seamus Heaney
- Brian Friel
- Marina Carr
We focus on reading texts in relation to their social, historical, and political contexts.
This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.
This module is worth 20 credits.
Changing Stages: Theatre Industry and Theatre Art
Peter Pan, Les Misérables, Hamilton... just a few of the iconic productions that started life in London’s West End, or on Broadway in New York. But why and how did they become so successful?
The 20th and 21st centuries have seen major changes in the way theatre is financed, produced and presented, both on stage and on screen. This module explores the fascinating world of theatre production, covering:
- the development of long-running, commercial productions
- the role of the theatre producer in making theatre
- subsidised theatre
- touring and national theatre companies
- reviewing cultures
- relationship between the theatre and film industries
- the advent of the mega-musical
Examining the mainstream and the fringes, we apply case studies including Shakespeare in production, new plays, revivals, and international hits like the ones listed above, illustrating how theatre responds to changing contexts and audiences.
This module is worth 20 credits.
Reformation and Revolution: Early Modern literature and drama 1588-1688
Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.
Joint Honours students have the option of writing an individual research project in their final year in the School of English. This will give you the chance to work on a one-to-one basis with a supervisor on an agreed area of study to produce a detailed and sustained piece of writing. This can be on a topic of language, literature or performance, or there is the option of undertaking a project-based dissertation, which will suit those students interested in applied or 'hands on' aspects of English as a discipline. The topics available build on the School’s engagement with local theatres and literacy projects.