Modern Languages with Translation BA

This module tackles myths about translation and interpreting and will also provide an insight into key issues in translation studies by allowing you to reflect on what translation and interpreting activities involve (accuracy, fluency, freedom, machine-translation, ethics). You’ll also be introduced to translation and interpreting issues in relation to different genres/topical matters, such as machine-translation, allowing the introduction of technological tools for translators and careers in translation and interpreting.  The module will involve different collaborative projects as a way of preparing you for work in the translation/interpreting industry.

The purpose of this module is to introduce students to issues which will give them a better understanding of the study of a foreign language and of translating between languages. It provides an introduction to the design features of language, as well as to basic notions of several subfields of Linguistics, including phonetics and phonology, morphology, syntax, language acquisition and psycholinguistics.

This module introduces you to the functional aspects of language. We focus primarily on the relationships between language and society and cover areas such as historical and stylistic change; social and regional diversity; as well as concepts drawn from semantics and linguistic pragmatics.

This is the starting point for your French Studies journey at Nottingham. Having studied French at A level you’ll already have a good command of the language but now it’s time to go deeper. Together we’ll explore a variety of topics to help you develop a fuller understanding of the history and cultures of France and the Francophone world. These topics may include linguistics, politics, history, thought, literature, media, visual culture and cinema.

You’ll study a range of different texts, images and film, through which we’ll help you develop the core study skills necessary for studying this subject at degree level, such as close reading, essay writing, commentary writing, bibliographical and referencing skills, and visual analysis.

On this module, you will focus on a selection of themes that explore the distinctive social and political landscape of contemporary France: French political institutions, with particular emphasis on the presidency; political parties in France; and immigration and questions of identity.

A close analysis of these themes will provide you with a general understanding of contemporary French society and institutions. In more specific terms, you will begin to explore the ways in which France is faced with the challenge of adapting its republican traditions to a changing world.

This module aims to introduce you to the course of French history since the French Revolution through the study of a series of historical figures, including Olympe de Gouges, Toussaint Louverture, Napoleon Bonaparte, George Sand and Charles de Gaulle. You will look at the way in which their 'stories' have been written and woven into the fabric of 'le roman de la nation', and how they have been appropriated to serve a range of different ends. It will also introduce you to the iconography of the French historical landscape. This module is worth 10 credits.

This module aims to introduce you to the comparative study of literature and culture, focusing in particular on how the city of Paris is represented in a range of texts (poetic, narrative and filmic) in the modern period (post-1800). You will learn reading techniques adapted to different genres and media, and representations of the city will be considered within their broader social, historical and political context.

This module aims to introduce you to the comparative study of literature and culture, focusing in particular on how the city of Paris is represented in a range of texts (poetic, narrative and filmic) in the modern period (post-1800).

You will learn reading techniques adapted to different genres and media, and representations of the city will be considered within their broader social, historical and political context.

This is the core module for first-year students of German. We look at the history of German and introduce you to the linguistic study of the language. We also explore a range of themes and styles in German literature linked to key areas of German and Austrian culture (such as gender relations, migration and race).

Further topics address the study of German film, and German history with a focus on recent history since German reunification in 1990. The module gives you an insight into the different areas we teach and also the skills to explore these areas in more depth in subsequent modules.

Although the Third Reich is very well researched, it still raises many questions: How could Adolf Hitler gain so much power? How could a whole nation ‘fall’ for the Nazi ideology? Why the Jews? In this module we will discuss and research Nazi politics as well as its society and culture. We will consider propaganda, the press, youth and women’s organisations, as well as the role of films, art and literature. Theoretical writings on fascist ideology will provide us with relevant background knowledge and we will work with original German materials such as documents, newspapers, photos, posters, films and speeches.

This module studies the development of Germany (including the former German Democratic Republic) since the Second World War. We will focus particularly on the political, economic and social changes after reunification; political institutions in contemporary Germany; current debates in German society, education and media; and aspects of German culture.

This module offers an introduction to the study of German history based on issues surrounding nationhood at key points from the nineteenth to the early twentieth century. We will examine the emergence and development of the great political ideologies of liberalism, conservatism and socialism that shaped German state and society throughout this period.

Through the study of relevant primary sources, the module focuses on the revolutionary changes and constitutional settlements experienced in modern German history at three key stages of national political development: the 1848 Revolution, National Unification in 1871 and the Revolution of 1918/19 that gave birth to the Weimar Republic in 1919.

This module introduces you to three key pieces of theatre in German, all of which challenge prevailing social, political and aesthetic norms.

We will read the following:

• Georg Büchner, Woyzeck (1837)
• Frank Wedekind, Frühlings Erwachen (1891);
• Bertolt Brecht, Mutter Courage und ihre Kinder (1939).

Lectures will provide historical background and outline approaches to interpreting the plays, and essay tutorials will develop your essay writing technique. In seminar classes we will discuss critical approaches to the plays.

We'll examine three key periods in the history of German-speaking lands:

• The emergence of modern bourgeois gender roles in the nineteenth century and the women’s movement around 1848
• Fin-de-siècle, with a particular focus on gender and sexuality in Viennese society
• The Weimar Republic, exploring the myth and reality of the so-called ‘New Woman’

Drawing on a range of political, theoretical and literary texts alongside visual material, we'll consider the relationship between social and economic developments, gender roles and concepts of masculinity and femininity.

In the early sixteenth century, Muscovy was a large but precarious state on the fringes of Europe, characterised by absolute monarchy, an official religion, crude economic and administrative systems, disgruntled ethnic minorities and an impoverished peasantry. Four hundred years later, following rapid expansion, enforced westernisation, industrialisation, a world war and a revolution, everything had changed for Russia … or had it?

This year-long module provides an introduction to the forces that have shaped modern Russia, starting with the first tsar, Ivan the Terrible, through the end of the New Economic Policy. In addition to political and social history, there is a significant focus on culture and the study of primary sources.

This module is an option for those who are studying Russian or East European Cultural Studies.

This year-long module is an introduction to Balkan history and Balkan cultural studies, covering the cultural history of the South Slavs and the legacy of empires in this region since antiquity – the Hellanistic Empire, the Roman Empire, Byzantium, the Ottoman Empire, the Habsburg Empire, Venice, France and Russia.

By focusing on the visual cultures of the three key religious traditions – Eastern Orthodoxy, Roman Catholicism and Islam – the module explores the common features and differences in alphabet, architecture, sculpture and painting across the region. The topics covered include the imperial border, army structure, types of conquest, capital and peripheries, client states and demographic policies.

The module will develop your understanding of how living under empires informed the self-understanding of Serbs, Croats, Bosniaks and other South Slav nations. This module is an option for those studying Russian or East European Cultural Studies.

Understanding the impact of the Soviet era is vital in order to understand 21st century Russia and the other former Soviet states. This short and turbulent period of history brought about profound transformations in culture and society.

In this module you will uncover the politics, society and culture of the Soviet Union from the 1917 October Revolution up to its fall in 1991. In lectures, we look at the political and social changes that led to the development of institutions, environment and culture that even today we recognise as ‘Soviet’. Topic-based seminars will focus on texts, visual culture, films and other sources and give you insights into the experiences and thoughts of those who lived through this time, including revolutionaries and writers, collective farm workers and cosmonauts, Communist Party loyalists and dissidents.

If you are studying Russian or East European Cultural Studies, this module is available as a year-long option.

This module is designed as a foundation for all later modules covering Spanish and Portuguese literatures. The main aims of this module are to give you a general introduction to literature and the study of literature, while providing you with a partial overview of literary writing in the Spanish language. As well as to introduce some of the key theoretical issues of literary study and instil good reading and critical habits. Through this you will be tested on your skills in close reading, textual analysis, seminar participation and the ability to write cogent and convincing commentaries and essays. This module is worth 20 credits.

Through a combination of lectures, guided reading and research you'll explore the main patterns of Latin American political, economic and social history, between independence in the 1820s and the end of the twentieth century.

We'll focus on specific concepts, terminology, events and people, so as to develop an understanding of different perspectives and interpretations of the history in question. We'll also encourage you to appreciate the interaction between the ‘political history’ of major events and protagonists in official positions of power, and the ‘social history' of populations who both contributed to, and were affected by, political change.

You will learn to develop a critical approach to the study of history through a variety of materials; gain an ability to distinguish between the particular and the general and to develop the tools for comparative analysis.

This module will introduce you to the cultures and societies of the portuguese-speaking world.

Explore possible career avenues and gain practical experience in this interesting module which will show you how to apply your language learning to translation.

You'll gain a good understanding of the key concepts of translation theory, including equivalence, text type and skopos alongside linguistic theories such as register and relevance.

With these theories under your belt, you'll be guided through their application to your own translations. We'll work on the translation of a variety of texts to help you strengthen and embed your new skills.

In this module you will be required to build up a portfolio of translations of different text types, including technical/scientific, legal and journalistic texts. Through the practices of translation and editing, you’ll improve your language skills, gain a better understanding of the cultural and linguistic complexities of the translation process, and learn how to research terminology in specialist subject domains. Where possible, one or more of the assignments will be a real-life pro bono assignment or linked to an internship. You will have a 2-hour introductory session for each part of the portfolio and will be supervised individually or in small groups for the remainder of the module.

The module is designed to introduce you to this particular period of French cinema by offering a detailed study of the New Wave of the late 1950s and early 1960s, focusing in particular on the films of Godard, Truffaut, Resnais and Chabrol.

As the module will show, New Wave film-makers often employed a variety of new and challenging formal techniques in order to make films that reflected an emergent, modern, iconoclastic sensibility in post-war France. For these reasons, the module combines a contextual approach with introductory teaching in film analysis.

You may wonder why 19^th Century French art is relevant to a student wanting to better understand today’s Francophone communities. To answer this let us take you back to a time pre-internet, pre-television, pre-photography to when historical art was a key communication tool for any society.

Together, we’ll examine eight French paintings from the key historical period of the Consulate (1799) to the Paris Commune (1871). By discovering what French citizens gained from ‘reading’ these images you will better understand their relationship with national identity, religion and political culture. It is these historical ideologies that laid the foundation for contemporary French society and your understanding of this will help you form a more thorough and nuanced appreciation of contemporary France and the Francophone world.

Among the huit tableaux to be discussed are David's Sacre de Napoléon, Delacroix's La Liberté guidant le peuple, and Meissonier's Le Siège de Paris.

Hear Dr Paul Smith give a brief overview of this module.

What better way is there to truly understand a nation than by studying its literature and politics?

 

We’ll examine the various ways in which French writers have engaged with the political struggles of their time. By looking at ‘committed’ literature (which is literature that defends an ethical, political, religious or social view) produced by key authors you’ll learn how to unpick the tension between literature and politics that has shaped modern France.

This module is an introduction to the study of 18th century French literature, through a variety of texts chosen to offer an accessible approach to the period’s main literary genres and movements of thought. Alongside an investigation of how literature developed during this era, you will consider key questions that thinkers and writers grappled with:

• What is like to fall in love?
• What is happiness and how do we find it?
• How important is personal freedom?
• Are people naturally good?
• How do we live well with others?
• How do we learn about the world and make sense of our experiences?

This module engages in a detailed analysis of four recent Francophone films that deal with contemporary social issues and institutions: Jean-Pierre & Luc Dardenne, L’Enfant (2005); Jacques Audiard, Un prophète (2009); Thomas Lilti, Hippocrate (2014); Stéphane Brizé, La loi du marché (2015). It focuses on the way in which the films present characters in a social context. The module looks at the ways in which these characters are subject to economic forces, interact with institutions, and function as members of social groups. The films are analysed from a formal perspective, considering the ways in which they all draw on the resources of cinematic realism in order to provide a representation of contemporary life that is both compelling and challenging for viewers.

This module explores contemporary art and media production in France and beyond, looking at how recent French art and ideas feature in and contribute to a cultural world-system. We will be looking at pioneering artworks from the late 20th century and the 21st century, examining work in film, visual art of many genres, photography, music and also media technology.

Beginning with key foundational artists from the 1960s and 1970s, we move on to consider works across artistic media, mostly from the 21st century, and this will form the principal course content.

We will be looking at the work of individual artists in detail, both for the value of the work, but also to explore how contemporary cultural production reflects and reacts to the world in which it is made. Visual art is particularly useful in this context as it necessarily contains a reflective element, and this is often critical of existing situations. We will also incorporate key readings by theorists who have reflected on the themes, media, technology and politics of both art and culture in the broader sense.

This module will examine the development of cinema during the silent era, from its invention in the 1890s through to the early 1930s, in France, Germany and the Russian Empire/Soviet Union. Because silent cinema was easy to translate and export from one country to another, it was highly transnational, and the module will enable you to see how filmmakers in different countries entered into dialogue with one another. You will be able to compare and contrast the themes and preoccupations of films produced in these countries, and consider how these reflected distinct political and cultural agendas.

The first part of the module will introduce students to the history of early film, primarily as it developed in France, looking at short actualité films produced by the Lumière brothers and others. It will consider the practices of display of ‘silent’ film (looking especially at how it was accompanied by music, speech and sound effects), and look at its appeal to popular audiences as well as its broader critical reception. We will then go on to consider a range of films made during the silent era, which represent two main tendencies:

• A tendency towards realism and the examination of everyday life
• A tendency towards fantasy and the creation of spectacular new realitie

You will be introduced to the fundamentals of film language and will be encouraged to engage in close analysis of short extracts from the films.

Films will include (but will not be limited to):

• Georges Méliès, Voyage to the Moon (1902)
• Louis Feuillade, Fantômas serial (1913)
• Paul Wegener, The Golem (1920)

This module provides an introduction to short narrative in the nineteenth century. It invites students to consider how texts combine literary craftsmanship with an effort to represent, understand and engage with the political, cultural and physical world beyond the page. The module takes in a range of different short narrative genres and themes:

• The crowd-written character sketches Les Francais peints par eux-memes (1840-1842)
• Nostalgic and impressionistics stories from Emile Zola's Contes à Ninon (1864)
• Lyrical, colonialist depictions of the Orient by Maupassant (1880s)
• Fin-de-siécle decadent writing by Rachilde (1900)

Through these texts, you will also be introduced to a range of reading techniques and critical theory relating to each of these textual forms, whilst exploring the ever-changing landscape of a nation shaken by ongoing revolution and social change.

This module provides an introduction to three major figures in modern French poetry (Baudelaire, Rimbaud and Apollinaire), and to the major formal developments in poetry in the period 1850-1914, including the prose poem and free verse. Students will learn to analyse, interpret and write commentaries on poetry, and individual poems will be considered in relation to broad themes such as the representations of self, and notions of modernism. 

This module offers students an opportunity to explore actual cultural, economic and social differences within modern France through its representations in contemporary filmmaking. Beyond narrative themes, students will gain an understanding of how filmmakers engage the formal resources of cinema, both fiction and documentary, to capture the specificities of diverse spaces and places and to invite reflection on larger questions of identity and community, nation and citizenship, mobility and belonging.

This module provides you with an introduction to the rich field of study known as sociolinguistics, which investigates the relationship between language and society through an exploration of the social contexts of language use.

Particular areas of focus in any one year of the module could include:

• intercultural communication
• politeness and face
• linguistic determinism
• power and solidarity
• language choice
• speech act theory
• the ethnography of communication
• language and gender
• approaches to the study of discourse/talk

Focusing on texts ranging from the novels of Jules Verne through to Élisabeth Vonarburg, this module will engage with key themes in French science fiction writing. Whether it deals with the discoveries of new worlds or the confrontation with new technologies, science fiction as a genre expresses the anxieties and hopes specific to the contemporary era. Science fiction is political in that it deals with questions of power, ecology and science. It is also philosophical, since it calls into question boundaries between cultures, times, genres and species. Drawing on these political and philosophical dimensions, the module will look in particular at how science fiction explores the ways in which identity is constructed and reconfigured by material and technological forces.

This is the starting point for your French Studies journey at Nottingham. Having studied French at A level you’ll already have a good command of the language but now it’s time to go deeper. Together we’ll explore a variety of topics to help you develop a fuller understanding of the history and cultures of France and the Francophone world. These topics may include linguistics, politics, history, thought, literature, media, visual culture and cinema.

 

You’ll study a range of different texts, images and film, through which we’ll help you develop the core study skills necessary for studying this subject at degree level, such as close reading, essay writing, commentary writing, bibliographical and referencing skills, and visual analysis.

The module provides an introduction to literary translation from German into English. We will analyse key issues of cultural difference and historical distance by comparing different translations of the same original text. As part of the assessment for the module you will compose your own translation of a literary text of your choice and summarise your translation strategy. Class discussions and the translation work you undertake for this module will help you to improve your understanding of the linguistic and cultural differences between English and German, develop enhanced translation skills, and gain insights into literary texts.

This module explores the history of print and broadcasting in Germany from 1933 to the 1990s, and investigates the relationship between media content and culture. You will develop a foundation in the key concepts of media studies and gain insight into the connection between media and ideology. You will also have the opportunity to undertake research into primary sources from our extensive newspaper archive.

In this module we will examine a selection of approaches to modernity, beginning with Kant’s assertion of individual reason as the founding stone of enlightened social organisation. We will move on to examine how Marx and Engels, Nietzsche and Freud all interrogated Kant’s position in their work. Our discussions will touch on the nature of the individual subject, the role of culture, as well as competing ideas of the status of reality as based in social conditions, or the product of the will, drives, or ideology.

This module focuses on the social, economic and political-ideological structures which shaped domestic and foreign policy between 1933 and 1945. We will begin by examining the process through which Weimar democracy was overthrown and the structures of dictatorship imposed. We will then turn to the social, economic and ideological factors which shaped the transformation of Germany into a Volks-gemeinschaft before examining the development of Nazi foreign policy and the genesis of the Holocaust. Throughout the module we will consider political, social, economic and ideological factors in shaping Nazi policy at home and abroad.

This module is aimed at students on our intensive beginners’ pathway. The module will use a range of authentic and adapted German sources to combine language learning with an introduction to some aspects of contemporary German society, focusing on elements which are particularly relevant for the year abroad. We will practise working with the types of texts that are particularly useful for students preparing for the year abroad, as well as text genres which you will encounter during your time in Germany and Austria (e.g. application letters, CVs, how to approach an interview). Classes will also help you to develop your understanding of key aspects of contemporary German society.

This module investigates social developments in German Democratic Republic (GDR) society over four decades of communist rule and social changes in Eastern Germany after the demise of the GDR. You will be introduced to the ideological principles which the Socialist Unity Party attempted to legitimize in the GDR as the only viable alternative to fascism for a modern society. You will then look at how this ideology was enforced through state authority in every domain of society.

Based on contemporary texts (e.g. GDR propaganda, GDR writers and other intellectuals), you will further examine how people negotiated their lives within these officially imposed ideological structures, exploring a range of individual responses from conformism to non-conformism and opposition.

Finally you will look at a new kind of “public authority” during the Wende period in the GDR, which triggered the disintegration of communist power structures, and the subsequent changes in East German society. 

This module introduces you to some major theories of how languages are learned and to some approaches to how languages can be taught. We will consider:

• the differences between first and second language acquisition
• whether there is a best age to learn a foreign language
• factors affecting language learning
• the role of technology in language learning and teaching
• the role of culture in language classroom

Students will have the opportunity to investigate one or more of these questions in their assessed essays.

This module investigates the specific language used by the German media from linguistic and journalistic perspectives. You will learn about the distinctive pragmatic and semantic features of the language used on radio, on television and in the print media. This linguistic analysis then enables us to explore how journalists attract their target audience.

We will look at various text types and media genres including news and advertisements, as well as analyse the differences between media-specific language and the language used in society at large. In this context you will not only learn how journalists write for different media and genres, but also about the ethics of journalistic writing and how ethical concerns affect the language of the media.

This module will examine the development of cinema during the silent era, from its invention in the 1890s through to the early 1930s, in France, Germany and the Russian Empire/Soviet Union. Because silent cinema was easy to translate and export from one country to another, it was highly transnational, and the module will enable you to see how filmmakers in different countries entered into dialogue with one another. You will be able to compare and contrast the themes and preoccupations of films produced in these countries, and consider how these reflected distinct political and cultural agendas.

The first part of the module will introduce students to the history of early film, primarily as it developed in France, looking at short actualité films produced by the Lumière brothers and others. It will consider the practices of display of ‘silent’ film (looking especially at how it was accompanied by music, speech and sound effects), and look at its appeal to popular audiences as well as its broader critical reception. We will then go on to consider a range of films made during the silent era, which represent two main tendencies:

• A tendency towards realism and the examination of everyday life
• A tendency towards fantasy and the creation of spectacular new realitie

You will be introduced to the fundamentals of film language and will be encouraged to engage in close analysis of short extracts from the films.

Films will include (but will not be limited to):

• Georges Méliès, Voyage to the Moon (1902)
• Louis Feuillade, Fantômas serial (1913)
• Paul Wegener, The Golem (1920)

The relationship between the state and the intellectual in Russia has traditionally been a problematic one, marked by repression, persecution, forced and voluntary exile and censorship. Political concern and resistance to an authoritarian state are central themes in the Russian cultural and literary tradition as well as a defining feature in the lives and works of numerous Russian writers and intellectuals.

We will explore the cultural tradition and identity of the literary intelligentsia in Russian and Soviet history. We'll also examine different responses to the experience of state persecution in the work of writers and artists.

Covering an extensive period of Russian history we will look at examples of writers and artists who have defied the state.

Wider questions which will be discussed include the role of the artist and the intellectual in Russian culture, the myth of the persecuted writer and the complex relationship between the intellectual and the masses.

This module introduces you to the medieval period in the history of the East Slavs, covering pre-Christian times to the Mongol conquests and beyond.

Through lectures and workshops, we will explore political, cultural and social developments, with a particular emphasis on working with primary sources in various media (including texts, painting and architecture).

The module draws on a selection of primary sources in translation, which you learn to assess as historical evidence. It also focuses on basic trends in the historiography of this period and how it has been manipulated for various political purposes in modern times.

This module covers the history of the Socialist Federal Republic of Yugoslavia, formed after WWII. We will discuss key economic and political factors of the state’s creation and disintegration, as well as Yugoslavia’s individuality during the Cold War.

Other topics for discussion include gender and social inequalities, nationalism and its rise, and circumstances surrounding the state’s collapse into the Yugoslav Wars of the 1990s.

This module aims to develop understanding of Russian-language media from the Soviet era to the present day.

You will explore the use of Russian on different media platforms, including print, broadcast, television, and online media, and will cover such topics as advertising, internet, music, television, radio, journalism and the freedom of the press.

The module aims to develop translation and comprehension skills when dealing with Russian media. You will widen your vocabulary and gain experience in dealing with more complex grammatical structures, taking into consideration style and register.

 If you are studying Russian or East European Cultural Studies, this is an optional year-long module. It examines Russian society and culture as reflected in popular and influential films from 1900 to the present day, covering a variety of genres (including melodramas, biopics, youth films and musical comedies).

Lectures and seminars examine Russian and Soviet cinema’s historical contexts and reception, as well as how films are constructed technically. You develop skills in analysing cinema in its historical and social contexts, from the products of the burgeoning industry of late imperial Russia to post-Soviet arthouse films and blockbusters – via the extraordinary legacy of Soviet cinema. All the films covered are available with subtitles, and this module does not require any prior study of film.

This module will examine the development of cinema during the silent era, from its invention in the 1890s through to the early 1930s, in France, Germany and the Russian Empire/Soviet Union. Because silent cinema was easy to translate and export from one country to another, it was highly transnational, and the module will enable you to see how filmmakers in different countries entered into dialogue with one another. You will be able to compare and contrast the themes and preoccupations of films produced in these countries, and consider how these reflected distinct political and cultural agendas.

The first part of the module will introduce students to the history of early film, primarily as it developed in France, looking at short actualité films produced by the Lumière brothers and others. It will consider the practices of display of ‘silent’ film (looking especially at how it was accompanied by music, speech and sound effects), and look at its appeal to popular audiences as well as its broader critical reception. We will then go on to consider a range of films made during the silent era, which represent two main tendencies:

• A tendency towards realism and the examination of everyday life
• A tendency towards fantasy and the creation of spectacular new realitie

You will be introduced to the fundamentals of film language and will be encouraged to engage in close analysis of short extracts from the films.

Films will include (but will not be limited to):

• Georges Méliès, Voyage to the Moon (1902)
• Louis Feuillade, Fantômas serial (1913)
• Paul Wegener, The Golem (1920)

In this module you will explore a cultural period in the Hispanic world characterised by profound social change and the emergence of major world-figures of modern art (eg Pablo Picasso). It is structured around key literary and artistic movements from Spain and Spanish America from the early 19th century to the late 20th century, such as Romanticism, Realism, and Modernism. A large part of your focus will be reading literary and visual texts of the period in relation to the socio-economic and political context of Spain’s and Spanish America’s rapid, but hugely uneven, modernisation.

Individual novels, plays, films, paintings or poems will also be used to exemplify and explore particular movements and historical moments. You will develop skills in close analysis of complex texts, an understanding of some of the major directions of Spanish and Spanish American literature in the 20th century, and the ability to relate texts studied to historico-cultural contexts. This module is worth 20 credits.

Explore relations between early modern Spain, Portugal and their empires through art, cinema and historical documents to better understand the Spanish and Portuguese speaking countries in Latin America today.

Together we’ll study paintings starting from the mid-15th century in Portugal where voyages of ‘discovery’ were well under way, to Mexico and Brazil in the late eighteenth century.

To explore the political and cultural relations between the old countries in Europe and the new lands in the Americas we’ll read travelogues, testimonies and political discussion about the New World and look at modern cinematic and theoretical responses to the conquest and colonisation of the Americas.

These complementary areas of history and culture are perfectly balanced to help you understand how the Portuguese and Spanish empires are so relevant to contemporary global geo-politics.

Take your understanding of Spanish and Portuguese further by delving into the rich history of cinema in Spain, Portugal, Latin America and Portuguese-speaking Africa. This will assist your language skills and also deepen your knowledge of a diversity of global cultures.

In the first semester we'll examine cinema from Spanish America since the 1960s, then, in the second semester, cinema from Brazil, Portugal and Africa. In so doing, we'll address questions of cinematic style and technique, socio-historical contexts and the politics of film-making.

Don't worry if you're just starting out on your language journey, the films will be available with English subtitles.

If you are studying Portuguese, this modules gives you an introduction to some of the major texts of the Portuguese-speaking world. The commonality of language derives from the colonial experiences of the Portuguese Empire, which resonate through the cultures from the sixteenth century to the twentieth century.

We will examine the ways in which ideas of nationhood and national identity have been expressed and constructed through the cultures of the Lusophone world. The texts studied explore the ways in which cultural production (through the arts) is embedded in the formation of nationhood and ideas about national identity. Culture is therefore examined through and in its political and historical context. The module will address questions of nationalism and identity as expressed through language, race and place, as well as issues relating to globalisation.

We’ll introduce you to a variety of different techniques and help you start building the key skills required to ​begin your exciting journey of becoming a successful interpreter. You’ll explore simultaneous and consecutive interpretation, putting your findings into practice with your classmates. We’ll also explore some of the obstacles interpreters face and teach you how to navigate around them.

Through lectures, skills-based classes and time spent practising your newly-acquired skills (using the online platform for interpreters and/or in the interpreter’s booth) you ​should see an improvement to your listening, concentration and memory skills.

By the end of the module you’ll have gained a solid ​introductory understanding of interpreting skills and will feel confident and capable when putting them into practice in the easy level interpreting tasks. ​This module could become a first step towards your further training to become a professional interpreter!

This module offers the opportunity to apply the detailed knowledge of different areas of translation theory that you acquired during years one and two. Working independently under expert supervision, you will produce an extended translation into English of an approved text of your choice together with a commentary in English outlining your overall translation strategy and discussing translation difficulties and solutions. Completing this module will help you to demonstrate relevant experience when applying for jobs in the translation sector. 

This module focuses on the theory and practice of two modes of audio-visual translation: subtitling and dubbing.

The linguistic, technical, and cultural theoretical underpinnings of subtitling and dubbing from French into English will be examined in detail, and students will be able to put the theory into practice using professional dedicated software.

You'll examine the range of social, political and philosophical questions raised by mass immigration to France in the post-war period. These questions will be tackled through historical analysis of patterns of migration and changing immigration policies, as well as through the study of relevant films, novels and theoretical texts which engage with questions of citizenship, identity and ethnicity.

This module looks at various issues relating to the field of language contact, including bilingualism, multilingualism and diglossia.

The module also explores the outcomes of such language contact:

• linguistic borrowing
• code-switching
• language maintenance
• language shift and language death
• the emergence of pidgins and creoles
• the development of language policy and planning
• the shaping of attitudes towards language

These topics will be explored by using examples from several different languages, and by looking at the French language in contact with other languages in France and further afield.

On this module we will look at the changing relationship between individuals and society in a French context. Key sociological concepts relating to the social construction of the individual are explored in order to analyse fiction and non-fiction texts that deal with work and social organisation in contemporary France.

The theoretical starting point of the module is Michel Foucault’s analysis of the emergence of ‘disciplinary’ societies.

Key fictional works include Laurent Cantet’s film L’emploi du temps and Thierry Beinstingel’s novel Retour aux mots sauvages.

This module aims to develop the skills of comprehension of written French and of translating accurately and elegantly into English. In addition to the above, it aims to develop a self-conscious translation practice.

This module is designed to introduce you to the study of various forms of artistic work in relation to the political and social background of the French Revolutionary decade (1789 - 1799). A variety of works will be studied (theatre, opera, song, iconography, painting) in order to consider the reflection of contemporary events, the notion of politically engaged arts, and questions of cultural administration (theatrical repertory, representation, censorship and privilege).

This module looks at the various ways in which the novel has evolved and adapted to “the contemporary” by responding to the “everyday”. Giving an overview of the various approaches to the everyday in the contemporary novel from the 60s to the present, this module will explore how key authors negotiate, through their writing, the everyday’s indeterminacy and the unstable space it occupies between the social and the individual.

This module aims to introduce you to key aspects of French documentary cinema by considering a range of documentary cinematic techniques, and by looking at the ways in which documentary form has developed over time. The module examines the work of a range of filmmakers and explores the theoretical, socio-cultural and ethical questions raised by documentary cinema.

You will develop analytical tools that can be used to understand the different ways in which documentaries attempt to engage audiences and deal in sophisticated and often challenging ways with a range of issues.

This module will study the different ways travel has been used and represented in contemporary French and Francophone texts, arts and films. From tourism to exploration, from exile to migration, from pilgrimage to business travel, we will question the tacit ideologies found in contemporary travel discourses. We will study more specifically how contemporary discourses of travel have been, or not, adapting themselves to a post-colonial awareness and how it has enabled travellers to represent travel differently. The importance of this field has been steadily growing in between disciplines that range from literary studies to ethnography. The module will use these cross-cultural influences to create an arena in which to develop connections between key disciplines and different forms of arts (literature, ethnography, films and photography).

This module explores how the Fifth Republic came into being and examines the problems of bedding in a regime that revolutionised French political culture without jettisoning the key features of the 'modèle républicain'.

We follow a chronological narrative of French politics between 1958 and 1969, and will also examine themes such as the ‘écriture de la constitution’, the clash of political visions and bipolarisation and its tensions. We conclude with de Gaulle's apparent act of 'political suicide' in 1969.

This year-long module is based on guided independent study of a chosen topic in the field of French and Francophone Studies for which supervision can be offered by the Department. Topics typically relate to a module taken in the second year, or to a module to be taken in the final year, and it is expected that students have some familiarity with the chosen field.

Dissertation topics in past years have included:

• The feminist and humanist aspects of Christine de Pizan's work.
• How Albert Memmi's philosophy of colonised identity is prefigured in his literary work.
• The representation of women in three novels by Dany Laferrière.
• The representation of women in the films of Jean-Luc Godard.
• The definition of malaise in the context of contemporary socio-economic and political issues in France.
• Presidential Power in the Fifth Republic.
• The urban landscape in surrealism.
• Translating humour from English to French.

Teaching takes place in the form of regular individual meetings with the allocated supervisor, and group meetings with the module convenor, centred more generally on research and writing skills.

Semester 1 is devoted to research, reading and planning, leading to the submission of a dissertation abstract, chapter outline and preliminary bibliography, as well as the presentation of posters. In the second semester, students write up and complete the dissertation under the continued guidance of the supervisor.

This module is a practical course which aims to develop advanced skills of comprehension and analysis of a variety of English texts (fiction and non-fiction) and of translating accurately and fluently into French. It aims to enhance accuracy and fluency of written French through attention to the grammar, syntax, vocabulary and register of both languages and to develop a self-conscious translation practice.

In this module students learn to devise and develop projects and teaching methods appropriate to engage the age and ability group they are working with. The module enables students to gain confidence in communicating their subject, develop strong organisational and interpersonal skills, and to understand how to address the needs of individuals.

Literature uses ancient mythology as a rich source to describe powerful emotions, cunning politics or psychological drama. This module will explore how selected German writers engage with the myth of Medea, the powerful wife of Jason, who - according to the Classical myth - kills the sons she loves to hurt Jason.

We will look at how the myth is used, changed and reinvented in texts written between 1926 and 1998. We will consider theoretical writings on mythology and also look at the the Medea myth in paintings, film, theatre and music.

In this module students learn to devise and develop projects and teaching methods appropriate to engage the age and ability group they are working with. The module enables students to gain confidence in communicating their subject, develop strong organisational and interpersonal skills, and to understand how to address the needs of individuals.

This module will examine historical, political and philosophical approaches to the concept of national identity between divided and post-unification Germany, concentrating on the changing relationships between the articulation of conventional patriotism and self-critical reflection on National Socialism.

This module looks at how German-language theatre has responded to the challenge of new forms of media. We will draw on theoretical writings on the theatre and will reflect on such issues as agency and identity, the nature of historical material, the status of the audience and the challenge of new technologies. We will read five formally innovative plays from 1927 to 2000 - one called ‘Offending the Audience’, another in which 10,000 feet of film footage were used in the premiere, one a harrowing portrayal of the events of Holocaust, and one a reality TV-style live soap opera, put on over seven weeks in its premiere.

This module involves in-depth study of a topic in German Studies, and will normally relate to a second year German module. Teaching will consist of regular individual consultations with a designated tutor. Possible topics could include linguistics (for example, the use of Anglicisms in German), German cinema, German history, theatre, literature, gender studies, Heimat.

The dissertation may be 10 or 20 credits, depending on what is most appropriate for your individual programme of study. A 10-credit dissertation is 4,000 words in length, and a 20-credit dissertation is 7,000 words. Dissertations may be written in English or in German.

Although Germany only had overseas colonies between 1884 and 1918, German, Austrian and Swiss involvement in European colonial history permeates literature and culture to the present day.

This module uses short novels, stories and poems written between 1800 and the present to look at a range of themes in German postcolonial studies: for example, the exotic fascination with Africa; slavery and Afro-German history; anti-colonialism and nostalgia for Germany’s lost empire; political anti-imperialism and anti-racism; the German writing of African immigrants; and the rise since the 1990s of a critical postcolonial memory of Germany’s often forgotten colonial history.

This module examines the problems inherent in translating source-culturally significant materials. Cultural transfer is considered in both directions (English-German and German-English).

The module focuses on two areas of cultural transfer: in literature and in TV and film scripts. The module is assessed in English.

This module covers popular music in Russia during the late tsarist, Soviet and post-Soviet eras as an area of culture that affects ordinary people in many different ways – in Russia, songs have often brought people together, sometimes in celebration, sometimes to challenge authority, and they have also offered individuals fun or solace.

In the module you learn how to examine all this, applying concepts such as authorship, performance, technology and ideology, and learning how to evaluate the relationship Russian music has to popular music in the UK, USA and elsewhere. The examples studied include pre-revolutionary popular songs and gramophone culture, the assimilation of jazz, patriotic and propaganda songs, rock and pop-rock.

With guidance you will develop your own essay question focusing on a topic within Russian popular musical culture of their choice. No prior study of music is required for this module but you must also be taking Russian 3, or to be at an equivalent level in Russian, in order to choose this module.

Film can provide unique insight into how mythology is deployed that creates and maintain nations. This is particularly the case for the Socialist Federal Republic of Yugoslavia, a state which relied heavily on the foundational myth of 'Brotherhood and Unity' to bring together citizens across six different republics who recently had been divided by WWII.

In this module, we'll study a selection of films from the Socialist Federal Republic of Yugoslavia and its successor states, with a focus on film from Bosnia, Croatia and Serbia. These films show us how 'Brotherhood and Unity' was constructed on film, how it was deployed to bolster the power of Yugoslavia's leader, Josip Broz Tito, and how it was ultimately destroyed to devastating effect.

By the end of the module, you'll have developed an ability to 'read' cinema through the analysis of themes, visuals, and narratives to gain a better understanding of the cultural and historical circumstances under which films are produced.

There is an option to watch these films with subtitles, so there is no expectation that students have Serbian/Croatian language skills (although, if you are studying the language, we encourage you to watch films without subtitles). We'll also provide an overview of Yugoslav history and film studies so no prior knowledge of these subjects is required.

This module introduces the construction of national and collective memory of the Second World War in Soviet and Russian culture and society. The lectures and seminars focus on contemporary and subsequent artistic and social responses to the experience of war, but also examine individual acts of remembering (diaries, reports, letters) in the context of a wider cultural memory.

The module equips you with the skills to analyse, evaluate and discuss Russian and Soviet commemorations of the Second World War and the construction of a collective memory; to identify and contrast different strands of narratives of war experiences which unite individual and collective responses to the Second World War; to analyse and apply relevant theories of memory to Russian and Soviet strategies of commemorating the war; to discuss some of the central problems related to Russian and Soviet memories of the Second World War, including the relationship between memory and forgetting, narratives of suffering and sacrifice and the relationship between acts and rituals of commemoration and the construction of national identity/identities.

You'll gain an understanding of the growth and development of the cult of saints in the Eastern Christian world in the context of the history and culture of late antiquity and the middle ages.

We focus on the interpretation of original written sources and icons, allowing you to master the basic tools for conducting research in the field.

In this module students learn to devise and develop projects and teaching methods appropriate to engage the age and ability group they are working with. The module enables students to gain confidence in communicating their subject, develop strong organisational and interpersonal skills, and to understand how to address the needs of individuals.

Working closely with a supervisor who teaches and researches in a relevant field, final year students carry out in-depth research into a topic of their choice, building on work they have done in a module studied in year two or the final year.

Areas of study include history, literature, cinema, music and religion.

Recent topics include:

• Mongol rule in medieval Russia
• the cultural remembrance of Porajmos (the genocide over Roma during World War II)
• the works of Mikhail Bulgakov
• reporting on the Pussy Riot trial in UK and Russian media
• adaptations of US television comedy series for the Russian market

 

This module aims to equip you with the skills required of linguists in the modern, digital workplace and may be taken by those studying Russian or Serbian/Croatian.

The project gives you the opportunity to combine your achievements in language and non-language modules studied over the course of their degree. You work in a group on a topic agreed with the module convenor to create a final Language Project, in the form of a translation, blogpost, podcast, short film or public performance.

One of the best ways to truly understand a nation is to study its culture. Together we’ll explore a key moment in 20th century Spanish history, literature and film-making. By looking at the context and circumstances in which filmic and literary texts were produced under Franco you’ll develop awareness of generic conventions in both literature and film and perfect your skills in close textual analysis. 

You will gain a solid knowledge of the Franco régime and of the literature and film produced at this time, plus an understanding of the conditions for cultural production under the Dictatorship. 

By the end of the module, you will have developed a good command of the concepts and vocabulary required to analyse literary and filmic texts, a capacity for close reading and textual analysis, as well as presentation skills and research and essay-writing skills.

Free education from cradle to grave has been central to modern Cuba’s cultural and ideological identity. This module will encourage you to explore Cuba’s revolutionary change since 1959, through an examination of its evolving ideologies. You’ll review the critical factors of nationalism, dependency, radicalism and leadership which shaped developments from the original rebellion up to the present day.

 

Together we’ll discover the role of education policies and the ways in which a ‘cultural revolution’ was fundamental to the socialisation process of, and popular participation in (or dissent from) the Revolution.

 

This study will help you form conclusions about both the meaning of ‘ideology’ within the context of the Revolution, and the international geo-political significance of Cuba's self-definition and evolution.

You may believe that politics and literature are two distinct fields of study, but this module will help you understand the complex but integral relationship between the two.

We’ll explore the representation of key social and political issues within contemporary Spanish literature. You’ll discover how literature in late capitalism, and contemporary ‘Hispanic’ authors in particular, dealt with issues of language, identity, culture, society, nationhood, gender, class, memory, time and writing.

We also explore debates regarding the consistency of the categories of ‘Spain’ and ‘Spanishness’ when analysing cultural production in contemporary Iberia. This shall lead us to assess the competing discursive practices involved in remapping the notion of Spanish canonical literature at the beginning of the new millennium.

This module will offer a panorama of painting in Spain from the late 16th century to the late 19th century taking in four themes: portraiture, history and genre painting, religion, and mythology and myths.

Artists covered will include Domenikos Theotocópoulos, Diego de Silva y Velázquez, Jusepe de Ribera and Bartolomé Esteban Murillo from the Spanish Golden Age and Francisco de Goya, Vicente López, Martín Rico and Marià Fortuny from the 19th century.

You will have the opportunity to study other painters in the preparation of assessments throughout the year. There will be an emphasis on designing exhibitions and on understanding the paintings both within the context of art history and the history and cultures of Spain.

Taught in Spanish, this module has been designed to give you a thorough insight into Spanish business including the contexts that have influenced its development and the ways it interacts with wider society.

We'll investigate a range of factors that have shaped the Spanish business landscape since the transition to democracy, such as:

• changes within the global and European regulatory environment
• ideological factors
• entrepreneurship
• government action to attract foreign investors, promote Spanish FDI and boost trade with regions such as Latin America, Europe and China.

You'll not only gain a historical understanding, but a contemporary perspective too by looking at case studies of both companies like Inditex (the owners of Zara and other important fashion brands) and important Spanish industries such as tourism. The module also explores some of the less positive impacts and criticisms of Spanish business practices relating to the environment, debt and corruption.

An understanding of Brazilian slavery is key to understanding not only the history of the country but also appreciating their culture today. Within this module, we'll explore the significance of Brazilian slavery in both, the transatlantic slave systems and slave societies across the Americas. 

In addition to gaining historical understanding, you'll also learn how to use different historical approaches, tools and skills.

Explore how literature and film can give us a deeper insight into the experiences of conflict in 20^th and 21^st-century Latin American and Iberian societies.

Together we’ll investigate the way in which film and literature have reflected, resisted, interrogated and remembered the socio-political violence and conflicts that have shaped the 20th and 21st centuries so far in Europe (with a particular emphasis on the Iberian Peninsula) and Latin America (including Brazil).

Your Spanish and Portuguese language skills (along with translations or subtitles where needed) will help you adopt a comparative approach focussing on the formal experiments and common preoccupations of filmmakers and writers across different national cultures and historical contexts.

You will discuss questions around a range of themes which may include; authoritarianism, confronting colonial and neo-colonial practices, racial and class inequality, social injustice, gender and sexuality, and living on with the legacies of past traumas.

You can expect to discuss works by writers such as Roberto Bolaño, Ruben Fonseca, Alejandro Zambra, Mariana Enríquez, Clarice Lispector and Liliana Heker. Feature films and documentaries by Alfonso Cuarón, Pedro Almodóvar, Kleber Mendonça Filho, Claudia Llosa, Patricio Guzmán and Susana de Sousa Dias will also be discussed.

In this module students learn to devise and develop projects and teaching methods appropriate to engage the age and ability group they are working with. The module enables students to gain confidence in communicating their subject, develop strong organisational and interpersonal skills, and to understand how to address the needs of individuals.

This module looks at key 20th century Spanish American novels and short stories and considers issues such as race, gender, sexuality and the conflict of cultures. You will be trained in using a broad range of tools of narrative and rhetorical analysis so as to engage in debates about literary representation and aesthetics, and will hone your use of these through a programme of research tasks, seminar presentations, group discussions, and written assignments.

This module aims to provide you with the training necessary to be able to engage independently, under the guidance of a supervisor, in self-directed research on a topic that the student selects on the basis of an aspect of your Year Abroad experience.

Through a series of one-on-one tutorials, and the submission of a proposal, a literary review, and chapter draft, the student is advised on how to sustain an argument over up to 7,000 words, and how to underpin this argument with appropriate and innovative research.

This module uses a focus on identities and identity formation, as represented or articulated in literary, cinematic and visual texts, as the basis of a chronological survey of the development of lusophone societies and cultures in the long 20th century (roughly, from 1880 to the present). Approaches to these set texts will introduce, and equip you to evaluate, a history of changing conceptions both of racial, ethnic, sexual, and class identity.

The module will explore how shifts in social taxonomies and conceptions of community and difference relate both to scientific and philosophical discoveries and innovations and to the changing political and socio-economic structures of Portugal and the African territories formerly subject to Portuguese colonial rule. It will also provide an introduction to the study of the concept of identity itself, and of the interrogation, by psychoanalysis and post-structuralist thinking, of preconceptions of either individual or collective identities as stable and unitary.