Current Research
My main project is a study of the phenomenon of rock stardom in the last decades of the Soviet Union. I examine rock music's creation of meaning in the Soviet context from different perspectives, including the culture of magnitizdat and 'officially' released recordings, the significance and mythologies of live performance, the place of the verbal text in rock music, and the modes of individual and collective authorship that rock groups create. I also look at the ways in which rock music, traditionally thought of as a non-official or even oppositional form of expression, co-existed with the cultural institutions of the Soviet state.
In parallel with this research, I am working on aspects of the legacy of rock music of the Soviet era, including its incorporation into contemporary political discourse.
I welcome enquiries from research students interested in working on topics related to these, or on other aspects of cultural production under socialism or in post-socialist contexts.
Past Research
My PhD focused on the development of rock music culture in Leningrad before glasnost and on the texts, performances and personas of the singer-songwriters Boris Grebenshchikov (Akvarium) and Maik Naumenko (Zoopark). I have published articles and book chapters on rock music during the Soviet era, as well as on the representation of Soviet popular music in the Putin era and on other aspects of more recent music culture.