Abstract: From iconic films such as Night Mail to lesser-known classics like Pett and Pott: A Fairy Story of the Suburbs, British documentary films of the 1920s, 30s and 40s are renowned for their imaginative use of music and sound effects. This paper examines the soundtracks of British documentary films from this period against the backdrop of a wider politics of sound in early twentieth-century Britain. Recreating the sounds of a factory, or of a far-off colony, was just as political as visualising it in an age increasingly sensitive to the noisy soundscape of modernity. James Mansell is a Lecturer in the Department of Culture, Film and Media at the University of Nottingham. He is the co-editor of 'The Projection of Britain: A History of the GPO Film Unit' (BFI Books, 2011). He is currently working on a book entitled 'Sound and Selfhood in Early Twentieth-Century Britain'.
The University of NottinghamLakeside Arts Centre University Park Nottingham, NG7 2RD
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