November 2000
Jump to:
American Movie Audiences: From the Turn of the Century to the Early Sound Era edited by Melvyn Stokes and Richard Maltby
A Review by Steven T. Sheehan
Artists in the Audience: Cults, Camp, and American Film Criticism by Greg Taylor
A Review by Raymond J. Haberski Jr.
Contemporary French Cinema: An Introduction by Guy Austin
A Review by J. Emmett Winn
Endless Night: Cinema and Psychoanalysis, Parallel Histories edited by Janet Bergstrom
A Review by Joan Hawkins
Fatal Attractions: Rescripting Romance in Contemporary Literature and Film edited by Lynne Pearce and Gina Wisker
A Review by Kathrina Glitre
Feminism, Femininity and Popular Culture by Joanne Hollows
A Review by Jacinda Read
Globalization and Culture by John Tomlinson
A Review by Paul Grainge
On the History of Film Style by David Bordwell
A Review by Ronald W. Wilson
Out Takes: Essays on Queer Theory and Film edited by Ellis Hanson
A Review by Mark Brownrigg
Star Trek: Parallel Narratives by Chris Gregory
Deep Space and Sacred Time: Star Trek in the American Mythos by Jon Wagner and Jan Lundeen
Star Trek and Sacred Ground: Explorations of Star Trek, Religion and American Culture edited by Jennifer E. Porter and Darcee L. McLaren
Star Trek and History: Race-ing Toward a White Future by Daniel Leonard Bernardi
Race in Space: The Representation of Ethnicity in Star Trek and Star Trek: The Next Generation by Michael C. Pounds
A Review by Matt Hills
Storytelling in the New Hollywood: Understanding Classical Narrative Technique by Kristin Thompson
A Review by Steve Neale
Visions of Virtue in Popular Film by Joseph H. Kupfer
A Review by Kirsty Fairclough
The World According to Hollywood 1918-1939 by Ruth Vasey
A Review by Nadine Wills
Back to top
All film reviews
American Movie (dir.
Chris Smith, 1999)
A Review by Martin Flanagan
Gladiator (dir.
Ridley Scott, 2000)
A Review by Sara Gwenllian Jones
I Dreamed of Africa (dir.
Hugh Hudson, 2000)
A Review by Katrina Daly Thompson
Le Grand Bleu/The Big Blue: Director's Cut (dir. Luc Besson, 2000)
A Review by Dayna Oscherwitz
Les Conveyeurs Attendent (dir.
Benoît Mariage, 1999)
A Review by Benjamin McCann
Love's Labour's Lost (dir.
Kenneth Branagh, 2000)
A Review by Patrick J. Cook
6th Viva Spanish Film Festival
A Review by Andrew Wills
Space Cowboys (dir.
Clint Eastwood, 2000)
A Review by Geoff Weiss
The Patriot (dir.
Roland Emmerick, 2000)
A Review by Marlon Kuzmick
Topsy-Turvy (dir.
Mike Leigh, 1999)
A Review by Sarah Stubbings
Back to top