February 2001
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Hollywood Cartoons: American Animation in its Golden Age by Michael Barrier
Reading the Rabbit: Explorations in Warner Bros. Animation edited by Kevin S. Sandler
A Review by George S. Larke
Cat People by Kim Newman
The Dread of Difference: Gender and the Horror Film edited by Barry Keith Grant
A Review by Steven Schneider
Deconstructing Disney by Eleanor Byrne and Martin McQuillan
A Review by Annalee R. Ward
Global Television and Film: An Introduction to the Economics of the Business by Colin Hoskins, Stuart McFadyen and Adam Finn
A Review by Martin Flanagan
The Magic Mirror: Moviemaking in Russia 1908-1918 by Denise J. Youngblood
A Review by Birgit Beumers
Media in Global Context: A Reader edited by Annabelle Sreberny-Mohammadi, Dwayne Winseck, Jim McKenna and Oliver Boyd-Barrett
A Review by Katrina Daly Thompson
Politics and Popular Culture by John Street
A Review by Pedro Nunes
The Art of Record: A Critical Introduction to Documentary by John Corder
Doing Documentary Work by Robert Coles
A Review by Anthony B. Chan
Re-Viewing Reception: Television, Gender and Postmodern Culture by Lynne Joyrich
A Review by Sarah A. Matheson
Shane by Edward Countryman and Evonne von Heussen-Countryman
A Review by Jo Eadie
Visual Culture: The Reader edited by Jessica Evans and Stuart Hall
A Review by Francis Frascina
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All film reviews
Beau Travail (dir.
Claire Denis, 1999)
A Review by Dayna Oscherwitz
China Gate (dir.
Rajkumar Santoshi, 1998)
A Review by Andrew Grossman
Chopper (dir.
Andrew Dominik, 2000)
A Review by Kate Egan
Hollow Man (dir.
Paul Verhoeven, 2000)
A Review by Marlon Kuzmick
Nurse Betty (dir.
Neil LaBute, 2000)
A Review by Jacob R. Smith
The Cell (dir.
Tarsem Singh, 2000)
A Review by Lisa K. Perdigao
The Thomas Crown Affair (dir.
John McTiernan, 1999) —
A Review by Mark Jancovich
Titus (dir.
Julie Taymor, 1999)
A Review by Pascale Aebischer
What Lies Beneath (dir.
Robert Zemeckis, 2000)
A Review by Phillip Serrato
X-Men (dir.
Bryan Singer, 2000)
A Review by Keith McDonald
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