February 2002
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The Analysis of Film by Raymond Bellour
A Review by Herman Wasserman
Dreams within a Dream: The Films of Peter Weir by Michael Bliss
A Review by Graeme Harper
The Films of Fritz Lang: Allegories of Vision and Modernity by Tom Gunning
M by Anton Kaes
A Review by Dana Polan
Magical Reels: A History of Cinema in Latin America by John King
A Review by Dolores Tierney
Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema by Richard Martin
A Review by Karen McNally
Reel Nature: America's Romance with Wildfire on Film by Gregg Mitman
A Review by David Ingram
Reinventing Film Studies edited by Christine Gledhill and Linda Williams
A Review by Kirsty Fairclough
Salò or the 120 Days of Sodom by Gary Indiana
A Review by Luca Prono
When Hollywood Loved Britain: The Hollwood "British" Films 1939-1945 by J. Mark Glancy
A Review by Ian Brookes
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All film reviews
America's
Sweethearts (dir.
Joe Roth, 2001)
A
review by A. Mary Murphy
Best
in Show (dir. Christopher
Guest, 2000)
A
review by Kate Egan
Exit
Wounds (dir.
Andrzej Bartkowiak, 2001)
A
review by Francis W. Grady
Final
Fantasy: The Spirits Within (dir.
Hironobu Sakaguchi & Motonori Sakakibara, 2001)
A
review by Nira
Harry,
Un Ami Qui Vous Vent Du Bien (dir, Dominik Moll, 2000)
A review by Marco Mancassola
Highlander:
Endgame (dir.
Doug Aarniokoski, 2000)
A
review by Marion Muirhead
Moulin
Rouge (dir. Baz Luhrmann, 2001)
A
review by Elizabeth Abele
Nightbreed
(dir. Clive Barker,
1990)
A review by Jay
NcRoy
The Philadelphia Festival of World Cinema
A
review by Ruth Perlmetter and Archie Perlmetter
Planet of
the Apes (dir. Tim Burton,
2001)
A
review by Geoffrey Weiss
Pollock
(dir. Ed Harris,
2000)
A review by Lisa Rull
Shrek (dir.
Andrew Adamson & Vicky Jenson, 2001)
A
review by Rebecca Farley
Sweet and
Lowdown (dir. Woody Allen,
1999)
A
review by Bill Davis
This Is Spinal Tap (dir. Rob Reiner, 1984)
A
review by Paul Binnion
Tron (dir. Steven Lisberger, 1982)
A
review by Will Brooker
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